The Other Model Of The Minority Theme Documentary

China is an ancient country with Chinese civilization,with a long history and a splendid culture.Through long-term efforts,all ethnic groups have jointly created a splendid China.China has never been a single Han culture.She has a rich and colorful minority culture.In the field of film and television,there are frequent documentary films on ethnic minorities.From the beginning of the world,"South of the Cloud",to the 1990 s.Sand and the Sea,and then to the "third pole","Gang Rinpoqi" and "Himalayan Ladder" in recent years.The minority documentary has created many wonderful and classic national images,making Chinese culture and Chinese image more diverse and richer.In the history of China,ethnic minorities are concentrated in distant borders and away from the center of political culture.Due to the remoteness of the region,the special customs and cultural differences,ethnic minorities are easily replaced by other people and are placed in the Han culture.Regarding the shaping of minority documentaries,there have been many criticisms in the academic circles in recent years.Some scholars advocate the creation of the "master" of minority documentaries.As the name suggests,the directors and creative personnel of minority documentaries must be national.This is more conducive to the core of national culture.This kind of speech is justified.However,when the author participated in the creation of "The Village Style" and conducted a documentary study on minority subjects,it was found that the work of the Han director is not the hunting and imagination of the minority.For the shaping of the minority documentary film,we need a dual dialectic.This article will be elaborated from four parts: The first part is the introduction.The author mainly discusses the origin of creation and research,the related creation summary and research summary.The second part is the minority documentary and the other,from the Western post-colonial theory terminology.The introduction of the other,and then extended to the minority documentary,laid the foundation for the later arguments;the third part is the creation of the other minority documentary film,first of all the other minority documentary in the multi-lingual documentary Shaping,followedby the dual dialectic of the minority documentary film created by the other;the fourth part is the creative reflection of the graduation creation "The Village Style",mainly the reflection of the cultural presentation of the work and the reflection of the narrative skills.