Analysis Of The Bottom Narrative Film Under The Realism Dimension

Realistic movies originated in Italy in the 1930 s.They pay attention to social reality and reproduce the essence of society objectively and truly.Later,with the change of society and the development and progress of films,a number of new film theories and masters emerged in Britain,France,the Soviet Union,Italy and other countries,making new contributions to the development of world realistic films.The bottom narrative mainly refers to the creative consciousness of paying attention to the life and spiritual suffering of the people at the bottom of the society.With the rapid development of the world economy and the constant change of the social structure,the social polarization has been aggravated.A group of marginal people have appeared outside the social development.Their living state and spiritual state have become the main trend of artistic creation.The real life state of the marginal group reflected by the bottom narrative and the authenticity pursued by the realistic movies have inherent intimacy,which makes them combine with each other.Drawing on the real social events,the movie play "rattle drum" focuses on the development of urbanization in China,on the marginalized and neglected figures in the mainstream society,digging out their stories,focusing on their growth problems and inner spiritual world,so as to more truly restore the growth memory of these people in a specific historical period and reproduce the process of modernization in China.Living predicament and spiritual crisis of marginalized people in society.This paper combines the script "rattle drum" to analyze the underlying narrative strategies of realistic films from the concepts,narrative structure and perspectives,the characteristics of marginal characters,and the construction of time and space.Finally,the problems in the creative process are summarized and considered.