On The Native Nature Of Pioneer Narrative

When examining the academic record of China's vanguard literature,it is necessary to pay attention to the external cultural environment it has created and to pay attention to its narrative differences.Pioneer literature flourished in the 1980 s,and it is not connected to the concentration of the experimental exploration of short stories.In the 1990 s,as the novels gradually became meteorological,the enthusiasm of avant-garde literature “thoughts” was obviously reduced,and the scenery was no longer.However,the literary nature of the avant-garde and the spirit of exploration were always new and unstoppable.Among them,Lu Xin,a local Shanxi writer,has not forgotten his heart for a long time and managed long articles.He has successively created “Hei shou gao xuan”(1992),“Fu mo”(1993),“Guang xian”(1995),“Mei yu”(1996),“ Cheng wei wang shi”(2001),“Cao qing”(2001),“Ruan lang gui”(2007),“Yan mian”(2013),and “Xia xian yue”(2016)were all pioneers of avant-garde literature.The witness of the line.He revisited the culture and customs of the land and the land,and was full of spirituality in discovering the vicissitudes of life of the folks.It was mainly through avant-garde highlights and tracing back the difficult transition of rural China.It undoubtedly added to the avant-garde literature to reshape the local imagination and memory.A heavy stroke.Lu Xing's eclectic vanguard narrative is closely related to his daily experience and his imperceptible observations.This article intends to analyze from three aspects,with a view to clarifying the exploratory nature of the pioneer narrative that is oriented toward the country and the passion.