The Evolution And Melody Development Of Puju Music

Puju is an ancient art.The music of Puju is just like other performing forms of Puju art,has a long and shining history,a systematic pattern,a sophisticated technique.The theoretical research of Puju music also has a brilliant history.The existing Puju music history conclude all the basic form and role performance of Plate structure,yet it lacks the construction,way of evolution,melody development and other aspects of Puju music plate structure,and it also lacks the analysis,research and generalization on a composing technique level.This article has a long and deep explore of the evolution of Puju music plate structure and the melody technique of Puju music,arrange the evolution of Puju music plate structure,summarize the technique of Puju music melody development.The music of Pu Opera includes two characters,two characters,two kinds of music,such as twisty,tight,twitchy,income,interlude,roll white,slow board and so on.One of the most primitive structure of the board is the "continuous character sentence" of the disexual plate.The "continuous character sentence" of the disexual plate gives rise to the "tread sentence" and the "broken character sentence" of the disex plate,and then it gives rise to the tight and double character,the lifting plate,income,the intermediate plate,and the rolling white.This evolution process shows the development of a musical rhythm from flat to compact to dispersed,and illustrates a slow and fast development logic from slow to fast and high tide of board style development.The melodic development of Pu Opera music,relying on the characteristics of board structure,has a variety of technical phenomena,including "decorative repetition","extension exhibition","progressive","free mode advance","split","retrograde" and other development techniques,and the use of these development techniques,such as "decorative repetition","extension exhibition","free mode advance","split","retrograde" and so on.It not onlyembodies the basic law of the development of Chinese music melody,but also shows some same or similar factors with western musical melody development techniques.This article only complete theoretical research in limited aspects,in face of the abundant history of Puju music,there are still plenty of unsolved subjects.We still need to carefully explore and devote ourselves to this great work.