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Puju Music

Posted on:2011-05-24Degree:MasterType:Thesis
Country:ChinaCandidate:X L HanFull Text:PDF
GTID:2155360332955841Subject:Drama
Abstract/Summary:PDF Full Text Request
Pu Ju is a more ancient local operas in China, is one of Shanxi four Clapper, a sister relationship between both and Shaanxi opera, but also, and Shanxi have derived relations between the other three Clapper, the chamber music forms are plate. In the long evolution process, Puju music has always been a local and loved by the people around, since inheritance. Since the fifties and sixties of last century, there have been many books melodies against Pu Ju, Mingjiamingduan, as well as a collection of music in order to make up a large music recording on a blank, but still in the music theory analysis significantly less, some version or other title as the difference between a number of reasons, some concepts are not clear enough. Therefore, the existing Puju music theory involved in the analysis of very meaningful.This paper's body from the point of view, the use of relevant knowledge of music theory, from a new perspective on the Puju music analysis. In previous studies, based on the one hand, and Puju music from the local dialect closely related to the start of voice intonation, interpretation of vocal music and the voice of their relationship, discussed Po how to change between white and singing; another aspects of vocal styles from the interval form the backbone of tone and start to reveal his "impassioned, keyed mildly," the reason.From the sound of the performance of the Department of Music into the main form of the Pu Ju, two external structure, different from the past singing and accompaniment in the form of the text field, military field division. These two parts as follows: First, to clapper accompaniment of musical instruments as the main, this is where its characteristics. Clapper change the formation rate of percussion, both play a commanding role in singing, but also to change the basis of various plate. Second, their vocal styles, has a strong local flavor, the industry is characterized by vocal styles, often called "impassioned, keyed tactfully." The other main accompaniment instrument Banhu, because of its strong ability to imitate human voices and can play a role in the expansion range, so the text to be classified as singing part. The two main components of the ongoing music in Puju shows horizontal line under the melody lines, the combination of multi-rhythms.From the vocal melody and the melody of music in the internal composition, specifically the legal system and the use of a neutral tone. Intervals using the method of composition analysis on representative arias and music in a concrete analysis and comparative study of induction vocal styles as well as the backbone of music in voice and tone-type tone, which summarizes the use of the current Pu Ju's three main tone of the melody, that the three key pillars of sound for the two five-tone style and sound of requisition type VII. More different from the past .For the ambiguous "4 is not 4,7 not 7" "3.6 tone," and so on. Finally, the tentative Puju the music on the analysis and exploration and innovation, in the form of musical expression and its handling characteristics compared to discuss the form of simple and complex performance, inherent characteristics of variable factors and can not be changed . Look at Puju with the development of reform and innovation of music.
Keywords/Search Tags:Puju Music, Tune and dialect, Key tone, Tone Mode
PDF Full Text Request
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