Research On The Lady Figure On The Blue-and-white Porcelain In The Kangxi Period Of Qing Dynasty

The formation of artistic styles in any period is not isolated,and will be influenced by its previous art form and social factors of the same period.The image of the lady has been shown in traditional Chinese art,and the performance on the porcelain was first verified as the porcelain of the Changsha kiln in the Tang Dynasty.This porcelain decoration technique has developed very maturely during the Ming and Qing Dynasties.Especially in the Qing Dynasty,the subject matter was rich and the decorative techniques were diverse.The most exciting performance in porcelain during this period should be the blue and white figure of the Kangxi period.Based on the practical operation and theoretical analysis of the field investigation and the comparison of the pictures,it is found that the blue-and-white female figure at this time is very characteristic of the times both in terms of content and characters,and presents it to a certain extent.Inner cultural characteristics.In the artistic performance,it also inherits the previous art techniques and has made breakthroughs.In particular,the uniqueness of the blue-and-white porcelain cobalt material in the Kangxi period,as well as the image characteristics,subject research and painting techniques of women on porcelain have their unique performances,such as the composition of the official kiln and the folk kiln,the composition of the picture,the language of the arts,the craftsmanship,etc.The difference.In a certain sense,these provide a theoretical basis for the research and appraisal of Kangxi blue and white female porcelain,and then we provide a conclusive data for the appraisal of Kangxi blue and white porcelain.In addition,the cultural connotation contained in the Kangxi blue-and-white porcelain is also a reflection and summary of the social background,folk life,history and culture,and aesthetic taste of the Kangxi Dynasty.The study of the blue-and-white female figure is not only an exploration of the relationship between the development of Chinese ceramic art and the aesthetics of Chinese ladies,but also a deeper cultural interpretation of blue-and-white porcelain.