On The Marginalized Literature Writing Of Wang Anyi's Novels In The New Century

Wang Anyi is famous for her high productivity.Since the new century,she has maintained a good creative momentum.In less than 20 years,inside has written a total of eight novels and many short and medium stories..In these creations,the writer has continued his estranged attitude towards grand social and political narration since the mid-1990 s,and only focuses on writing the joys and sorrows of the "marginal man" living in the gap between the times in inside.Under the new social reality,Wang Anyi's writing and presentation of "marginal" obviously shows some new characteristics.The writer not only pays attention to the fate of edge characters,but also pays attention to the scenery of edge places,and has a new discussion on the narrative techniques of novels.Such marginal writing bears the imprint of the writer's personal style,has the important value of literary aesthetics,and has considerable practical and cultural significance.This thesis takes marginal writing as the starting point,and mainly adopts the methods of literary sociology analysis,aesthetic criticism,cultural criticism,etc.Starting from the history of literature and the writer's writing track,it makes an overall observation and specific research on Wang Anyi's marginal writing since the new century.The thesis consists of six parts.The introduction part proposes that Wang Anyi's novels since the new century show a trend of marginal writing on the basis of analysis and summary of previous research results,and defines relevant concepts.The first chapter discusses the formation of Wang Anyi's "marginal" consciousness starting with the writer's identity consciousness and the times motivation.It is pointed out that the marginal literary writing in Wang Anyi's novels since the new century is not only the foundation laid by her youth's growing experience,but also the inevitable trend of her artistic development.The second chapter starts with the text form of Wang Anyi's marginal literature writing,and analyzes and reveals the writer's understanding and tolerant attitude towards the "edge" by sorting out the marginal region separated from the "center" and the marginal character pedigree separated from the "mainstream".The third chapter focuses on the ideological implication of Wang Anyi's marginal literature writing,analyzing and demonstrating that her daily life writing actually dispels the separation and curiosity of the mainstream vision to the "marginal".At the same time,it also analyzes the writer's new thinking on the relationship between men and women in the process of shaping marginal characters.The fourth chapter mainly discusses the literary aesthetics of marginal writing,pointing out Wang Anyi's continuous exploration of new structural novels in writing "marginal",demonstrating the novel's great constructive ability through fiction,and further pointing out Wang Anyi's respect for and exploration of language independence and aesthetics through text analysis.The conclusion summarizes the whole article and points out that Wang Anyi's marginal writing is the embodiment of her adherence to the mission of writers and intellectuals.