The Ture Color Theory Of Canglang Poetry

The book "Canglang Poetry" refers to the concept of "the true color" several times,covering a wide range of "Poetry","Poetry" and "Poetry Review".Although the "natural" theory has not become a classic proposition of poetry criticism like "characteristic poetry","subtle understanding" and "interest",but later it was the highest principle and standard of the evaluation of opera by the play of the Ming Dynasty opera theoretician Wang Jude.one.In fact,the concept of "natural" is not the first creation of Yan Yu.The application of "natural" to literary criticism can be found in Liu Xing's "Wen Xin Diao Long" "Transformation".Song people also mentioned poetry.However,before Yan Yu,"natural" as a theoretical category only emerged,is Yan Yu's "Nature" in the "Canglang Poetry" to give the aesthetic connotation,bring it into the field of poetic criticism,for the future generations of widespread concern.It can be seen that Yan Yu's view of “the true color” and the true color of Liu Wei in the Wei,Jin and Six Dynasties,and the theory of the true color of the Yuan,Ming and Qing Dynasties have made important contributions to the construction and formation of the ancient Chinese true color theory.The reason why Yan Yu repeatedly mentioned in the "Canglang Poetry" that "taking the Tang Dynasty as the law" is mainly to explore and try to solve two problems-what is the poem of the true color and how to make the poem of the true color,that is,rebuilding the "nature" Collapsed poetry.Yan Yu's spearhead is the basic tendency of the poetic concept and poetry creation in the Song Dynasty.The real purpose of "Canglang Poetry" is to re-establish the poetry of Zhengda.On the one hand,it helps to overcome the disadvantages of Song poetry.On the other hand,it shows the successor to learn the poetry of the poem,thus making poetry restore the beauty of the true color.The "natural" theory of "Canglang Poetry" is the turning point of the historical development of the "natural" poetics category,fully analyzing the poetic character and spirit of "the true color",and paying attention to the "natural" theory of "Canglang Poetry" in the history of Chinese poetics The role played by the Chinese in the past;taking the "natural" theory of "Canglang Poetry" as the central point,going forward to trace the poetic soil that it has placed,and then combing the important influence of Yan Yu's poetics on the poetry of Yuan,Ming and Qing Dynasties And use the main poetic point of view in "Canglang Poetry" as a clue to sort out its creative contribution in the historical context of the development of Chinese poetry.