"Dan Chuang Shi Hua" And The Study Of Ancient Chinese Poetry

China is a country of poetry,with a history of poetry and culture for thousands of years.The first word of mouth the continuation of Chinese culture through continuously,not only promotes the development of its own change is derived from the ancient Chinese poetics,zhen and Japanese Chinese poetry and theory,for the expansion of the east Asian cultural circle has made an indelible contribution.The development of Chinese ancient poetics is matures in poetry on the trajectory of growing up,since the wei jin period began,after the generation of poetry,trouble,has formed a distinctive poetics,even the later poetry become the past of poetics."Antelope kakari,no trace can be found" and "interest","spirit","has said"promoted the development of poetics,such as systemic zhen works,zhong rong’s"twenty-four grades,yanyu" zhen blue waves",wangshizhen"yu Yang zhen",yuan mei "with garden zhen" are formed along with the continuous development of poetics to sort out.These poems are not only the original creation of a generation of poets,but also the result of the elaboration of many poets in ancient China.In the experience of Chinese culture,the cultural output of Japan has a long history.Since the beginning of the official activities of China and Japan,ancient poetry has been widely introduced as a medium of Chinese culture.The extensive introduction of han nationality,the poetry writing and the poetic theory of the Japanese literati contact,Japan initiated the initial han culture upsurge.In a way,the development of Japanese Chinese poetry,poetry and poetry is based on ancient Chinese culture.Similarly,Japan has experienced the development of Chinese poetry,poetry and poetry.The poems,poetics and poems that I have come into contact with in the light window include the Chinese and Japanese people and famous works.The Japanese han dynasty in the light window experienced the poetic atmosphere of the former and the ancient,and began to take the advantage of the house and to the short period of the house.It is related to his love of ancient poetry,his love of ancient poetry,and his advocation of Confucianism,which is related to the rise of the civil class and the liberation of human nature.In the late edo period,the development of Japanese Chinese poetry theory and poetry reached its peak.The many poems,led by "the light window poem",have sprung up,which is the ancient Chinese poetic theory that gave the initial nurturing to the Japanese theory of Chinese poetry,and the motivation to thrive in the future.Japanese Chinese poets and poets are familiar with ancient Chinese classics,which are systematic rather than solitary and exclusive."The poem of light window" is more about the "canglang poetics" of yan yu,"the verve of wang shizhen" and yuan mei’s "spirit theory".From the representative works of xie zhen poetics,zhen text two contrast can be seen on the soil of the ancient Chinese poetics,combined with the weak window I own interpretation,is Japan’s poetic theory has been in the mature stage.In the history of Japanese poetry,"the poem of light window" has been in the later stage,and the development of the theory of Chinese poetry in Japan has matured.The spread of ancient Chinese poetics in Japan has experienced the foreshadowing of the previous dynasties,and has produced fruitful results in the late edo period.The light window zhen as a compromise between the masterpiece of poetry,compromise the essence of the poetry theory,absorbing the essence of ancient Chinese poetics,accept the influence of Chinese poetics in the osmosis,to form the Japanese Chinese poetry culture unique style.