Research On Bridge Elements In Song Landscape Painting

As a common element in landscape painting,"bridge" is an important research object in the field of landscape painting.From the perspective of brush and ink forms and picture composition,the bridge in landscape painting seems to be a small scene intersperses the picture,but it is closely related to the artistic conception of the picture.It not only adds interest and humanistic flavor to the whole picture of landscape painting,but also reflects the aesthetic orientation of painters in various periods.The construction of bridge elements in the picture was also closely related to the social life at that time.Although the bridge element plays a very important role in landscape painting,there are few systematic academic studies on it.Today,when we advocate the return of traditional culture,we should carry out an in-depth study on the bridge elements and carry forward the traditional bridge culture contained in them.The song dynasty was the peak period of the development of landscape painting.The content of the painting was very extensive.The painting objects were not only limited to showing the nature of mountains and rivers,but also expressed the painter's perception of life.The song dynasty was also a span stage in the development of landscape painting.At this time,the expression forms of bridge elements in landscape painting were various,including the mature style of courtyard painting and the initial formation of literati painting.Meanwhile,the development of boundary painting also reached its peak.This paper takes the "bridge" element in the landscape painting of the song dynasty as the research object,and discusses it from six chapters with the help of relevant painting theories,painting works and other materials.The first chapter discusses the research background of bridge elements in landscape paintings of the song dynasty,collects and sorts out relevant literature at home and abroad,and expounds the research purpose,significance,main content and innovation points of this paper.The second chapter sorted out the ancient bridge culture and the bridge culture of the song dynasty,and analyzed the cultural characteristics of the bridge elements contained in the landscape paintings of the song dynasty.The third chapter mainly studies the basic modeling of "bridge" elements in the landscape paintings of the song dynasty.Taking the landscape paintings of the song dynasty as an example,it classifies the bridgeelements according to the different characteristics of the picture environment,and divides the modeling into pavilion bridge(gallery bridge),hongqiao,banqiao(single-plank bridge)and quqiao.The fourth chapter mainly studies the expressive techniques of "bridge" in the landscape paintings of the song dynasty,taking the painter's works as examples,and studies and analyzes from the aspects of expressive styles and brush and ink techniques.The fifth chapter analyzes the relationship between bridge elements and other elements in landscape painting.The relationship between bridge and water,mountain and other elements in the picture is analyzed from the aspects of content and space.Chapter six analyzes the inheritance and development of bridge culture from the perspective of modern and contemporary painting.Taking the works of modern and contemporary painters as examples,it discusses the development and innovation of bridge elements in modern and contemporary landscape painting.