The Evolution Of Bridge Images In Traditional Chinese Painting

"Bridge" is a special category in traditional Chinese painting as a unique element in its special meaning,which implies the philosophical thoughts,cultural concepts,aesthetic interests,and psychological appeals of the audience in their time.The“bridge” not only satisfies the traffic needs of people across obstacles,but also satisfies the need for people to enjoy the beauty of the environment and the beauty of art.It also embodies the cultural qualities and spiritual awareness of people in the same country,the common people,and the whole nation,and uses it as a vehicle to form Rich "bridge" culture."Imagism" is an important theory peculiar to ancient Chinese literary theory,that is,an objective image created by the creative subject's unique emotional activities.The use of imagery,to a certain extent,made up for the regret of "indescribable expression",clearly expressed the author's thoughts,and successfully constructed the implicit,concise and embarrassing artistic beauty unique to ancient Chinese culture.In this article,I try to analyze some of the traditional Chinese paintings,find out the relationship between imagery and the psychological needs in the era of mobile internet era and the alienation of audiences,so as to open up new ideas for creation.This thesis is divided into four parts.The first part elaborates on the basic issues such as research significance and research foundation,as well as the determination of research objects,research scope,research methods,and framework structure as the premise of this article.The second part is the second chapter of this article.It mainly deals with the history of Langqiao from a historical perspective.From the perspective of history,the general context of the origin,development,and decline of the Chinese bridges and bridges has been teased out.The third part is the third and fourth chapters of this article.This part mainly discusses the characteristics of China's covered bridges from non-material aspects such as culture and aesthetics.: In the fourth chapter,through the analysis of bridge examples,the theory is linked to reality,and the aesthetic features of harmonious beauty,artistic beauty,and beautiful imagery of Chinese bridges are discussed.Finally,Chapter 5 of this paper discusses the image of bridges.The development trend of contemporary Chinese paintings and the direction of future development,and put forward some of their own views.