Research On The Creating Techniques Of ZhangQianYi Yunnan Fantasy

Qianyi Zhang is one of the famous contemporary composers in China.Since 1980 s,Mr.Qianyi Zhang,a composer with high production and outstanding achievements in the fields of instrumental music,film and television works,and vocal music works,has written different kinds of works with varied themes and genre,including symphony,chamber music,vocal music,opera,dance drama,dance,film and TV series.In the 1980 s,Mr.Zhang composed Northern Forest,and after that,he composed another symphonic suite,Yunnan Fantasy,in which he used folk melody,and western and Chinese folk composing techniques.After the performance in 2009,it received great repercussions.Qianyi Zhang has come to Yunnan for several times in order to collect folk songs and Yunnan folk songs in Yunnan Fantasy are the part of the collection.He said: "My feet are in the mud of the deep mountains and the old songs of the fireplace rang out in my ears." However,I understand that for the land,mountains,forests,and rivers,all the original sounds carry the most original bright color and breath,but they can only be perceived and cannot be transplanted." Qianyi Zhang was infected by the music of Yunnan folk music.During his creation,he insisted on retaining the most fundamental music of the original folk,and made great contributions to the development and inheritance of folk music of ethnic minorities in China.The main content of this thesis consists of the following parts.Firstly,in the introduction part,the significance of the topic,the research status of the subject and the methods and characteristics of the research are introduced,which provides a basic introduction to the whole thesis.Secondly,in the first chapter,the paper mainly talks about Mr.Qianyi Zhang's life and artistic achievements,the development of the suite and the creative background of the Yunnan Fantasy symphony suite.Thirdly,the second chapter analyzes the macroscopic structure and the humanistic background of the four pieces of music in the composition.The third chapter starts from the two aspects of harmony style and polyphonic features,and summarizes the processing methods of harmony and polyphony in music.The fourth chapter elaborates the development of music from the four aspects of rhythm,theme,voice and orchestration.In the last chapter,through the combination and analysis of the first four chapters,it summarizes the national character,the temporal spirit of the works and the creative revelation obtained from the analysis of this work.From the perspective of creation,the author tries to restore the process of composer creation by combining the acoustic feelings of the music.Music analysis is to hope that the complex music can be easily understood through the process of analysis,and I hope to do a little bit of the analysis of Yunnan Fantasy,and hope to bring some improvement to the author's learning.