Research On The Environmental Aesthetics Of Yuriko Saito

Yuriko saito analyzes people's aesthetics of nature,environment,daily objects and Japanese culture.This paper mainly explains the starting point and main content of Saito's environmental aesthetics,the aesthetic cultural characteristics of Japan and the evaluation of Saito's environmental aesthetics.The first chapter mainly starts from the starting point of Saito's environmental aesthetics thought: first of all,it analyzes the aesthetic model of Saito to nature,that is,if it appreciates nature as it is,people can not impose the will other than nature on nature.In order to admit the existence of the individual and listen to nature,this paper analyzes the questioning of the aesthetic model of "picturesque" and the influence of scientific knowledge on people's aesthetic appreciation.Second,oppose the view of all natural beauty.Because from the moral point of view,even if things are aesthetic but contrary to morality,then they can not have aesthetic value.Finally,in the aesthetics of daily life,Yuriko saito believes that today's aesthetic discussion is still influenced by art-centered aesthetics,but our aesthetic life is rich,diverse,and it is problematic to look at life with a single standard.The special aesthetic experience that stands out from daily things does have the value and significance of existence,but it can not fully explain all aspects of people's daily life.Nowadays,many non-western art forms question the aesthetics of art center.The ordinary and monotonous things that are ignored in daily life need to attract the same attention as famous and strange things.The second chapter analyzes the main contents of Saito's environmental aesthetics,mainly from the transformation of aesthetic power,the unframed atmosphere,and the disorderly aestheticization.This paper mainly expounds the influence of aesthetic factors on our quality of life,world situation and future development.The third chapter mainly explains the Japanese aesthetic culture from Saito's environmental aesthetics thought.The first is the beauty of natural appreciation in Japan.Japan likes to be weak in terms of natural appreciation.It can be seen in the appreciation of hills,oceans and climate,followed by the temporal nature of natural appreciation,such as seasonality,shortness and order.In the Japanese packaging form,the time and physical activity required to open the packaging are maximized in order to increase the joy of expectation.In the garden,the time sequence of people's aesthetic experience is arranged through spatial design.In Japanese cuisine,everyone engaged in aesthetic experience will be allowed to play freely and create their own aesthetic joy.Finally,starting from the morality in Japan's natural appreciation,Japan's aesthetic tradition is famous for its respect for the inherent characteristics of things,that is,faithfulness to raw materials and respect and concern for others.The fourth chapter is the evaluation of Saito's environmental aesthetics.In terms of its value,it expands the scope of aesthetic elements,changes people's aesthetic perspective of things from the artistic direction to the perspective of daily life.The introduction of moral level into the field of aesthetics,the combination of aesthetics and morality,and the concern about the morality of daily aesthetic life have expanded people's horizons.However,Saito's environmental aesthetic thought is also controversial.First of all,there is no specific explanation of how to carry out aesthetic appreciation for such as its original aesthetic appreciation.In addition,to a certain extent,the interaction between art and life is ignored,which should be interdependent rather than divided.