| Through in-depth study of the oil painting landscape language of the three artists Cao Jigang,He Sen and Zhu Naizheng,this paper explores the fusion of Western oil painting and Chinese national culture spirit,and makes Western oil painting and Chinese ink painting through the connection with the diversified Western art world.Blending has become a new artistic possibility.At the beginning of the 20 th century,some artists tried in this respect.They applied some artistic symbols belonging to the essence of Chinese national culture to their own artistic creations.These artists are no longer limited by the objective objects depicted,forming a kind of The spiritual space of "Heaven and Man are united" makes the Western landscape paintings have the same connection with the ink and wash conception pursued in Chinese ink painting.Through the research of this topic,explore western landscape oil paintings,feel the depiction techniques of Western painting artists in the face of real things,and try to combine Chinese traditional aesthetic methods with artistic spirit and the rich and delicate oil painting colors of Western oil paintings.The combination not only affects a large number of creators of contemporary Chinese painting,but the author is also deeply influenced by this fusion.The series of works of "Liu Yun Gu Xiu" is the result of the practice of the author through the study of Western oil painting and Chinese ink painting,and tries to add the ink and wash complex accumulated by the author from the perspective of sensibility and rationality.Compare with the painting concept,painting materials,painting language,expression technique and expression concept of ink painting,explore the method and significance of the integration of Chinese ink painting and Western oil painting,in order to facilitate the better exchange and development of Chinese and Western painting art.At the same time,it provides practical value for inheriting cultural traditions and cultivating national ethnic complexes. |
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