Tchaikovsky's Late Art Songs (Op.60,Op.63) And Acoustic Techniques

Peter Ilyich Tchaikovsky(Russian: ???? ????? ?????????? / English: Peter Ilyich Tchaikovsky,1840-1893)is an important representative of the Russian national music school during the Romantic period,with concertos,symphonies,ballets Renowned,it is recognized as the "master of melody" in the world.Tchaikovsky has created 103 art songs throughout his life,traversing the composer's entire creative career,mapping the different styles of Tchaikovsky's music creation,occupying a vital historical position in his creative career.The creative style of Tchaikovsky's early art songs was greatly influenced by German and Austrian art songs.After that,the mid-term creative techniques gradually got rid of the shadow of German and Austrian art songs,continuing the national music creation concept of Glinka,Power Group and others,and constantly innovating.The use of harmony skills,in the late personalized harmonies of artistic features are more distinct,from the creation of genre forms and subject matter in both aspects of the development of Russian art songs to the peak,has a certain artistic and cultural value.Therefore,the author selects two sets of Russian art songs(Op.60,Op.63)created earlier in Tchaikovsky's late art songs as research objects.From the perspectives of natural sound system chords,melody systems and chords,chords and continuous sounds,transposition techniques,and Russian national individualized morphological techniques,the harmonies of artistic songs are studied and elaborated.In terms of artistic features,it mainly analyzes the accompaniment texture,the use of folk tones and the characteristics of poetry vocabulary,and strives to reveal that the individualized artistic processing of Tchaikovsky and the vocal language plays a key role in the shaping of characters,and the technique of harmony creation.The inevitable impact on the development of music themes.