Research Of Shigou Concert In Shengfang Of Bazhou Under The Intangible Cultural Heritge

This article studies the Shigou Concert in Shengfang,Bazhou City,Hebei Province,which is belong to typical Jizhong wind music,it is a kind of classic Monk Concert.It started in the middle and later periods of Ming dynasty.The main function of Shigou Concert is to serve god.It is used to serves the local and surrounding sacrificial activities(temple fairs)and the funeral custom.However,the sacrificial rites and funeral ceremonies attached to traditional concerts have been eliminated and reformed with the skepticism and negation of Chinese traditional culture over the past hundred years.Therefore,the traditional concert has been in the ups and downs.For the past few years,Chinese traditional culture has been restored with the emergence of intangible cultural heritage.In the field of intangible cultural heritage,the traditional culture including the Shigou Concert has been paid attention again.There are four chapters and six parts in the paper.Introduction combs the connection between Jizhong Concert including Shigou Concert and small sacrificial of Chinese sacrificial ceremony,and the research results of Jizhong wind music,it emphasizes the characteristics of "playing for god" in traditional music concert.In the first chapter,the author elaborates the context of the birth and existence of Shigou Concert,including the natural geography and historical humanities of Shigou Village,analyzes its historical inheritance and probes into the musical characteristics of Shigou Concert from the music itself.The second chapter mainly analyzes the various temple fairs served by the Shigou Concert,emphatically introduces the street-walking activities of the Spring Festival Flower Fair and the sacrificial ceremony of the God in Shengfang Town which it serves at present;On the other hand,it uses a funeral ceremony attended by the Shigou Concert as an example to introduce another important function of the concert-white matter serving the neighbors and explains why the concert is highly respected in the local area.In the third chapter,it introduces a series of changes in Shigou Music Association under the process of industrialization and urbanization,highlighting the tremendous impact on a folk association under the great history of the country,as well as the worries about its future.The fourth chapter,it analyzes the significance and value of Shigou concert from the historical and practical perspective,and discusses the whole Jizhong concert in the current greatest dilemma of inheritance from the birth of intangible cultural heritage and the non-legacy of the core elements of inheritance.