The Research On Yao Nai’s Calligraphy Creation And Calligraphy Thought

The Qianlong and Jiaqing Dynasties are post to learn calligraphy in the Qing dynasty’s heyday.As the leading character in Tongcheng school ancient prose everybody,is typical in the middle of the Qing school representative calligrapher.Whose calligraphy wine and had yet to cursive,between the lines reveals a kind pure and fresh shu lang,clean transcendental scholar scholar breath.Based on mid Qing’s social background and history of book,try from Yao Nai family origin and family marriage calligraphy as a starting point,combining with the post,and stone inscription rubbings,the friends of scholars to explore the cause of his wind,and will the rubbings works according to the time sequence of analysis,discover the reflection to the era book wind and aesthetic orientation of the witness.Finally,from the perspective of literary theory and ShuLun,differentiate the calligraphy thought,this perspective to in-depth study of his books for the article as literary character and pursuit of art.