The Temptation And Breakthrough Of "The Bottom":Tian Er's Creation Theory

Tian Er,a Hunan writer,is an outstanding representative of the Post-70 s writers in the contemporary literary circle of China.He won the fourth Luxun Literature Award in 2007 by virtue of his novelette "A Man Makes a Lantern Bring Colors".He is the youngest winner of the Luxun Literature Award in history,thus gaining wide attention.Although Tian Er expressed his suspicion and resistance to the "bottom" in his self-narrative,most of his works are stories of the bottom level,which are deep in the breakthrough of the bottom concept,the excavation of the bottom theme,the shaping of the bottom human nature and the innovation of the bottom story.Putting the writer Tian Er in the frame and horizon of "bottom writing" can more accurately interpret the connotation and aesthetic characteristics of his works.Therefore,this paper intends to make some "historical observation" of Tian Er's creation,which not only reveals the inheritance and breakthrough of the modern narrative tradition by the bottom narration of Tian Er vertically,but also shows the organic connection between Tian Er's creation and homeland memory and contemporary literary trend of thought horizontally.The main body of the article consists of the following parts.The first chapter discusses the origin of Tianer's writing.This paper mainly analyses the temptation and possible pitfalls and crises of Bottom Writing under the background of mainstream bottom writing.This paper first explores the importance of the underlying issues in contemporary China,the support and guidance of national policies,and the great temptation of the underlying narrative justice to contemporary writers.Then it explores the narrative "traps" of class solidification and typification imagination,and the display of hardship from the perspective of moralization,which may be formed by the underlying writing.Then it discusses how homeland memory is brewed and touched upon.Tian Er's bottom writing forms his unique series of novels of "Eucheng".The second chapter starts with Tian Er's specific works,and through carefulreading of the text,shows Tian Er's complex,contradictory and absurd bottom world from four aspects: the bottom view of good and evil,the reflection of urban-rural relations,the portrayal of characters and the expression of complex human nature.Firstly,people in the bottom world are always in a state of "original ecology".Tian Er intentionally separates the existence of the characters from the moral realm of the characters,making the bottom of this "de-moralization" more real.Through the interpretation of his works,it can be clearly seen that Tian Er pays special attention to the bottom world of good and evil,which also highlights the uniqueness of Tian Er's bottom writing.Secondly,Tian Er reflected on the relationship between the city and the countryside.He tried to break the stereotype that the opposition between the city and the countryside was equal to the opposition between civilization and barbarism,and to think more deeply about the existing situation of the bottom.Thirdly,Tian Er's bottom narrative full of real life can not be separated from the deep analysis of the inner image of the characters.This paper mainly discusses two comparatively individualized characters in Tian Er's works: one is the female image,the other is the male-dominated image of intellectuals.Finally,Tian Er's grasp of the human nature of the characters is particularly worth pondering.The expression of human nature in his novels is mainly reflected in two aspects: the angle of love and the setting of more extreme scenes.Through these four aspects,this paper explores Tianer's unique creative charm and reveals the complex human nature and the truth of the underlying life in Tianer's works.The third chapter mainly discusses the breakthrough of Tian Er's bottom writing to the original Lu Xun Enlightenment tradition,Shen Congwen's pastoral style and other narrative traditions,as well as the fresh and heterogeneous factors Tian Er may bring to the bottom writing of contemporary literary world.In the turbulent tide of mass culture,Tian Er always maintains a prudent attitude.He always tells the bottom story in a serious literary attitude.Although the story often has absurd plots,Tian Er's narration is not shallow and slippery.Tianer's uncontrollable narrative style makes his works more brilliant.The uncontrollability is first reflected in the uncertainty of the narrative position,secondly in the vivid and dramatic narrative style,and finally in the Metaphysical Reality and metaphysical philosophical reflection.So far,Tian Er's bottom narrative has gradually matured.The uncontrolled creative personality makes Tian Er's writing more diverseand tense.It can be said that Tian Er,the writer of "atypical" bottom writing,has a unique understanding of "atypical" bottom writing and a unique narrative rhythm,which brings new vitality and possibility to the current bottom writing.