Describe Everything Under The Moral Framework Of Metaphor

As an evergreen tree in the contemporary literary world,Fang Fang constantly tries to adopt new themes and writing methods to create novel texts with varied styles.In his literary works,there are both the sensitive and delicate of female writers and the large-scale vision of men's attention to the common people,thus achieving the special status of Fang Fang in the history of contemporary literature.However,the representative work of Fang Fang,"Landscape",was included in the literary trend of "new realistic novels" by the narrative content of the trivial daily life of the city's bottom-level citizens and the "zero-emotional" narrative style.From then on,the party was also given " The title of the representative writer of the new realistic novel is known to the public.Therefore,the interpretation of the works of critics and readers is limited to the cage of the“new realistic novels” genre,or to analyze the genre creation features of the works of the party,or to analyze other representative writers in the party and the genre.The similarities and differences of creation.Therefore,the purpose of this thesis is to re-examine the "various landscapes" in the works of Fang fang in addition to the characteristics of "trivial daily life" and "zero-degree emotion" in the "new realistic novels" genre,defending Fang fang in the history of contemporary literature.Unique status.In the basic principles of Hemingway's own writing,he refused to give readers a straightforward moral preaching,and tried to restore the truth in the precise depiction,so that the reader could understand the behavior of the characters in the works.However,the depiction of the action events in the works is Carrying the author's emotions everywhere and metaphorizing worldly morality.Therefore,this is a creative principle that describes everything under the moral framework of metaphor.Fang Fang unconsciously followed this writing principle in his literary creation.In the text creation,Fang Fang uses straightforward,simple and concise language to describe the event,so that the reader focuses on the simple depiction of the event;Fang Fang uses the "zero-degree emotion" narrative creation method in the novel text,not going It is a straightforward moral preaching,but let the readers taste the emotions and secular morality hidden in the depiction of action.This thesis is to analyze the novel's novel text under the creative principle of "reporting everything under the moral framework of metaphor" and deeply understand the author's spiritual connotation.Fang Fang holds an independent and free writing position in his creation,does not tend to be attached to a certain mainstream discourse,and forms a dislocation with mainstream discourse.First of all,Fang Fang always uses the writing style of intellectuals to create the real things that he feels in his life.She goes through the delicate brushstrokes to the bottom people,intellectuals and women and other small people,through describing the individual life experience of the general public.The joys and sorrows of the clutches explore the survival of the "human".At the same time,Fang Fang used the keen eye of intellectuals to examine the living conditions of these people and the deep roots behind the tragedy,showing the square as an intellectual reviewing and thinking about human nature,social age and destiny.Secondly,Fang Fang's works are generally classified into "new realistic novels" for understanding and research to obscure the unique ideological connotation and artistic features of his works.This thesis deeply analyzes the characteristics of Fang fang's works that are different from "new realistic novels".To restore the novel "landscape" under the cover of "new realism." In the end,although there is a strong "female consciousness" in the creation of Fang fang's novels,it is different from the "female writing" and "body writing" that emerged in the mainstream literary world in the 1990 s.Fang Fang always holds a kind of “Super-gender awareness” and women's self-examination awareness to look at and examine women's living conditions and find solutions.On the one hand,the literary creations that are free from the mainstream discourse have caused some anxiety as a literary writer.On the other hand,the party can take care of the social reality with a keen eye and a cold tone,and shape the suffering in the helpless world.The little people who are struggling with anxiety,of course,the anxiety of their characters is to some extent theprojection of the writer's psychological consciousness.Fang Fang's novels are immersed in identity anxiety.First of all,intellectuals have a huge sense of identity anxiety in the tide of business economy: on the one hand,as a literary writer,Fang Fang faces the resistance situation of self-discipline with the discourse of mainstream discourse,the recognition of critics and market and readers;The image of intellectuals in their novels is in a difficult situation in the commodity economy society,and is forced to change from intellectuals to citizens.Secondly,the men in Fang Fang's pens are suffering from the“castration”anxiety.On the one hand,the fathers are absent,and they carry violent and selfishness.The hero's “father” aura is dispelled and the mother's position in the power structure.On the other hand,women in the commodity economy have the right to economic discourse,which has caused some oppression to men,and men have gradually disappeared after being frustrated.Finally,the female image in Fang Fang's pen is faced with survival anxiety.From the beginning to the end,they are struggling to find spiritual homes and strive to fight for the creation of a "home",but they do not end up facing the predicament of homelessness.They are also struggling in the contradiction between spirit and flesh,but they eventually become the victims of chasing the beautiful love of the heart(the "home of emotion").Although Fang Fang has an anxiety and pressure as a writer,she still adheres to the creative attitude of “writing for the heart” and independently and freely writes literature.First of all,Fang Fang always upholds the intellectuals' will to seek truth,based on the individual life experience to see the mystery of human nature and reveal the living situation.She restores historical truth and survival truth from the folk perspective of life individual,dissolves some authority and absurd speech of history and reality,and explores and thinks about irrational existence.Secondly,the inner side of the party firmly adheres to some kind of ethical order,that is,the spiritual value theory of human care and the love value theory of love supremacy.