Artistic Characteristics And Significance Of Terracotta Figurinein Eastern Han Dynasty

Pottery figurine in Eastern Han Dynasty formed a unique shaping technique and artistic features due to the particularity of its time background.The pottery figurines of the Eastern Han Dynasty were created by by the craftsmen in a random way of kneading,which was expressed by the figures of "getting dizzy with success" and "seizing the spirit of things instead of describing the appearance".Instead of paying too much attention to the structural proportions of the objects,they focus on shaping their inner feelings,especially the capture of instantaneous dynamics,which makes the pottery figurine present a random and dynamic form and injects fresh vitality into the pottery figurine.At the same time,the style of the pottery figurine in Eastern Han Dynasty is concise and general,and the details are not deliberately carved,leaving a lot of performance space for line engraving and painting.In addition,the body is partially supplemented by painting and line engraving.In addition,the body is partially supplemented by painting and line engraving.This combination of engraving and painting enriches the expression language of the sculpture and successfully implants the painting and lines into the overall shape,which forms a unique artistic feature of engraving and painting that makes the pottery in the overall atmosphere without losing the vividness of the details.This form of expression not only does not make people feel cumbersome and cumbersome,but has a more elegant and agile feeling.This point not only has an important impact on the clay sculptures of the dynasties in China,but also has important practical implications for the creation of our contemporary sculptures.Moreover,pottery figurine in Eastern Han Dynasty broke the style of the former dynasty and displayed a brand new image,forming a new feature of the ancient freehand brushwork.unconstrained style endowed the Eastern Han Dynasty pottery figurines with a strong sense of return to simplicity and authenticity,and overall presented a strong,broad and free and unrestrained romantic temperament.This study analyzed the artistic characteristics of the pottery figurines in the Eastern Han Dynasty,and explored the inheritance of modern sculptures in the spirit,technique and shape of the Han Dynasty sculpture.This is the significance of the study of pottery figurines in the Eastern Han Dynasty.The title of this paper is “Artistic Characteristics and significance of Terracotta Figurinein Eastern Han Dynasty”,which is divided into four chapters.The first chapter gives a brief introduction to the cause of pottery figurine and the artistic style presented by pottery figurine under the influence of the Eastern Han Dynasty cultural spirit.The second chapter mainly analyzes,discusses and summarizes the pottery works of the Eastern Han Dynasty and also attempts to discuss the artistic characteristics of the Eastern Han Dynasty pottery from the sculpture ontology.This section is the focus of this article.The third chapter compares the differences between the pottery figurines of the Western Han Dynasty,the Tang Dynasty and the Eastern Han Dynasty respectively,deepens the understanding of the artistic characteristics of the pottery figurines of the Eastern Han Dynasty,and demonstrates the sculpture language of the pottery figurines of the Eastern Han Dynasty in the spirit of traditional sculpture,which is the key significance of studying the pottery figurines of the Eastern Han Dynasty.The fourth chapter is to understand the freehand sculpture of pottery figurines in the Eastern Han Dynasty,to learn to use traditional Chinese sculpture language to create,and to think about how we can inherit and explore the sculpture forms with the background of the times and national characteristics in the context of the great integration of world culture.Finally,rethinking the creation of the work is the conclusion of the whole article.