Research On The Touching Angles And Application Of Pipa's "Flip" And "Pick"

This article consists of three chapters,mainly on the three string-touch angles in the performance with the basic fingering "flip" and "pick",in-depth analysis of the sounds obtained by different angles of the strings.Theorize the timbre that players want,not just an imitation with "feeling",but the great improvement of performance.The first chapter is mainly composed of the purpose,significance,research methods and the domestic research status of this topic.The second chapter explains the principle of vibration with the sound "flip" and "pick",the actual meaning of string-touch angles and the timbre of them with "flip" and "pick".And the third chapter takes three pieces music,namely "Ten-Sided Ambush","Tianchi" and "Reflections on ‘Song of A Pipa Player'",as examples for in-depth analysis of the integration and use of three string-touch angles with "flip" and "pick" in the music.The third chapter of this paper is the core content.It studies the structure of musical form and the fluctuation and change of musical mood in depth.Based on this,it studies how to use the three touching angles of "flip" and "pick" to help performers better express the emotions of the music.At the same time,through the study of the three touching angles of "flip" and "pick",we can have a deeper understanding of the timbre produced by playing,master scientifically and stabilize the performance level,so as to improve the performance ability.