The Classical Tradition Research Of Wu Zuxiang's Novels

Up to now,Scholars' comments on Wu Zuxiang's novels focus on one side of their "social analysis" writers,ignoring his intrinsic connection with Chinese traditional culture and literature.Wu Zuxiang received his traditional education in elementary school from childhood,and was admitted to the Chinese Department of Tsinghua University in the summer of 1929.After graduating from university,he entered the institute to specialize in Chinese literature.In the middle-aged and old-aged stages,Wu Zuxiang has devoted himself to teaching and classical literature research,and classical literature is closely related to him.There is a collection of classical traditional literature on his body,which is also shown in his works.This paper intends to explore the inner connection between Wu Zuxiang's works and classical traditional literature.The inner connection between thought and spirit,Wu Zuxiang and the spirit of joining the spirit of entering the word.Whether it was the early attention to the hometown and women,or later got rid of this narrow vision,look at the entire era,Wu Zuxiang has always been adhering to the active spirit of entering the word.He values the social function of literature and has special functions in special periods.In the special period of the Anti-Japanese War,Wu Zuxiang actively took up the pen and wrote a spiritual battle song for the nation and the people in the spirit of patriotism.The use of neutral brushstrokes in various literary dimensions,on the one hand,expresses the influence of left-wing literature,on the other hand,it is not subject to its embarrassment,showing its own unique style: condensing the feelings of its homeland and life,and dissolving class and humanity.Contradictions,thus having a personal literary vision.In the narrative method,Wu Zuiyu inherits and uses the " techniques of Chun Qiu Writing " Wu Zuxiang often mentioned Shi Tong worked by Liu zhiji,expressing his approval of the "techniques of Chun Qiu Writing",and his works were also influenced by the " techniques of Chun Qiu Writing " to a certain extent.Wu Zuxiang's works are closely related to social reality,showing a critic and objective writing attitude,and do not affect and guiding ideas of readers.In the objective description,there is a self-discipline,which coincides with the mirror.In the depiction of characters,there are not only songs but also exposing them.They follow the principle of clear and tidy.The wording is concise,and the description of the cross section is benefited by the word micro.Wu Zuxiang worried about the country,and his works show a tradition of writing and resentment.Writing passion and "lonely anger" are the starting points of irony.In the era of the May 30 th tragedy and the colonial era of imperialism,the love of the nation,the pity of the people,and the hatred of the exploiting classes were particularly fierce.This kind of "angry" pays more attention to the darkness and filth of society,writes the mood of the times,and expresses Wu Zhetang's irony and ruthless lashing on the exploiting classes.Wu Qunzhen himself said that he is different from Japan's "humorous" satire,and his works will be vividly expressed.Classical tradition is closely related to Wu Zuxiang,and classical traditional culture has influenced and infiltrated Wu Zuxiang's creative interest and aesthetics.Classical literature has a close connection with Wu Zuxiang,and it has become the foundation of its literary creativity.There are few people mentioned.The classical traditional perspective is very meaningful for Wu Zuxiang's research.