A Survey Of Kuche's "Top Bowl And Plate Dance" And "Samawar Dance"

"top bowl plate dance" and "Samawar dance"(that is,teapot,tea cooking dance),they are Xinjiang Kuqa representative props dance,the main spread in Aksu,Urumqi,especially Kuche.These two dances through the high fusion of props and acrobatics,fully reflect Kuqa Uygur people's food culture and artistic aesthetic,but also reflect the rich historical relics of the western region.Kuche in ancient times also known as tortoise.During the investigation of the Kizil Grottoes,the author found that there was a picture of a dancer with a bowl and a tray above the right passage of Grottoes77.On the right side of the front chamber of Cave 175 there is a portrait of a hand-held bowl in a rhombic painting,and there is also a hand in the story of the left-hand karma.A statue of a person with a bowl on his head.Second,there are similar images in Cave 138 and Grottoes 188.Seeing this situation,the author made a bold assumption,this head,the hands hold props of the character picture,is the Guizi popular acrobatics or dance performance at that time? So how does Kuche's existing "top bowl and plate dance" and "Samawar dance" relate to it?Props are not only a symbolic function in dance,but also a way of expressing vocabulary in dance.During the visit and investigation of Kuche,the author found that the local people's cognition of "top bowl and plate dance" and "Samawar dance" were relatively unfamiliar.And,in Xinjiang and the mainland of the major activities and art evening,see these two kinds of dance opportunities are also less.With the passage of time and dance difficulty,the situation of endangered inheritance and development of dating appeared in Kuqa and Xinjiang.In order to analyze the artistic characteristics of these two folk dances in an all-round way,the author combines the inheritance of "top bowl dance" with the help of cultural anthropology,history,dance and other multi-dimensional angles.A case study of Nur Sahan Baha Wuton and Ahmat Molek,the successor of Samawar Dance,collates relevant literature and videomaterials,and analyses their artistic characteristics horizontally.From the longitudinal comb Kuche dance culture and their respective functions and values.Through the form of writing for experts,scholars criticize and correct.The main content of the paper is divided into four parts.Introduction: the main description of the source of the topic,basis,as well as the purpose and significance of the topic.The second part: taking the geographical ecology and dance culture of Kuche County as the main body of writing,this paper analyzes the historical relic of Guizi music and the development track of Kuqa representative props dance.The third part analyzes the artistic characteristics of "top bowl and plate dance" and "Samawar dance" on the basis of the investigation of dance cases of two inheritors,Nursa Baha Wuton and Ahmat Molek.The fourth part: based on the existing basis of folk "living body" and the historical relics of "static" mural,the paper summarizes the function and value of Kuqa representative props dance.