Research On Zhouqu "Duodi" Dance From The Perspective Of Dance Anthropology

"Dodi" dance is a kind of folk original ecological large-scale collective dance spread in Zhouqu County,Gannan Tibetan Autonomous Prefecture,Gansu Province,with string bells as props and integrating history,poetry,song and dance.In the dance movement,there are not only the vivid simulation of animal movements,but also the solemn and dignified representation of the war scene;As for the content of the lyrics,it involves all aspects of life,ranging from the origin of astronomy,geography and everything in the world to the rules of people's behavior and trivial life;In terms of lyric singing,there are both solo singing and duel singing,and the duel is extremely wonderful..."Dodi" dance art reflects the glorious course of Zhouqu Tibetan people's continuous understanding of nature,self-awareness and hard work in the long history of development.From the origin,content,lyrics and form of "Dodi" dance,"Dodi" dance is closely related to Bon culture,and integrates the ancient Qiang culture,which has high research value.The paper consists of three parts: introduction,text and conclusion.The foreword describes the research object on the basis of the existing research,and puts forward its own theoretical views and research perspectives combined with field investigation cases.The first chapter summarizes the living space of "Dodi" dance in Zhouqu,and presents the living space state of "Dodi" dance from three aspects of historical origin,ethnic distribution and ethnic religious belief.The second chapter combs the meaning of different names of "Dodi" dance through text records and field investigation,traces the historical origin of "Dodi" dance,and proves that "Dodi" dance is a dance created by the Tibetan ancestors in Zhouqu and full of Tibetan style characteristics.It is improving along the development track of Tibetan history in Zhouqu,and integrates the ancient Qiang culture,with profound cultural accumulation.The third chapter makes a case study of the "Dodi" dance in three typical Tibetan villages in Zhouqu,mainly expounds the classification and distribution of the "Dodi" dance.The fourth chapter through the field observation,participation in the village "Dodi" dance held,in-depth understanding of the "Dodi" dance held time,place,worship of the gods,sacrificial methods,participants,ceremony process and dance taboos.The fifth chapter,based on the field investigation,explores the lyrics art of "Dodi" dance.On the whole,the lyrics of "Dodi" are seven or eight characters,with concise language and strict logic;In terms of content,it starts from the creation of the universe,ranging from the origin of species in the universe to the details of life.The sixth chapter interprets the artistic features,cultural connotation and social functions of "Dodi" dance,analyzes and discusses the dance morphological features,lyrics features and music features of "Dodi" dance,and points out that "Dodi" dance has the functions of religious sacrifice,communicative education,grand narrative,social cohesion and ethnic identity.In the seventh chapter,on the basis of discussing the shortage of artists and inheritance difficulties of "Dodi" dance,the author puts forward from the perspective of intangible cultural heritage,taking the revitalization of rural areas as an opportunity,increasing efforts to develop the regional folk cultural characteristics of "Dodi" dance,putting "Dodi" dance on the stage,entering the public vision,playing its moral education function,and further enriching the Chinese national culture.