Study On The Revival Of Official Script And Its Aesthetic In Qianlong-Jiaqing Period Of Qing Dynasty From The Perspective Of Epigraphy

Art phenomenon depends on the development of social and historical background at that time.The revival of official script during the Qianlong-Jiaqing periods is the result of the social stability,economic development,cultural inheritance and control,inheriting the trend of practical learning in the late Ming and early Qing dynasties,the trend of the study of Jin and shi’s textual criticism,the change of post learning and the development of seal cutting art.Based on the perspective of Qianlong-Jiaqing periods of epigraphy in Qing dynasty official script of the practice and aesthetics as the research object,according to shoka backgrounds,social status and different ideas of art,it can be divided into four official script: "Yangzhou Eight Eccentrics","Xiling Eight Calligraphers",Qianlong-Jiaqing scholars and other shokas.Finally analyze its "to the ancient,transferred to Chinese law" in Chinese aesthetics,and their understanding and grasping Han nationalities techniques,on the basis of working to uncover the spirit of the Han nationalities,with "strange","ancient",the aesthetic view of "thick" and "compensated" to represent the independent personality style and aesthetic consciousness.