The Study On Murals Of The Main Hall In Wudang Lamasery

With the development and progress of Tibetan Buddhist Art Research,Tibetan Buddhism in Inner Mongolia reflects great artistic value with the unique regional and national characteristics.Also included historical and cultural values.The interior of Wudang Lamasery is beautifully painted and rich in content,and the title is clear and concise.It is a model for in-depth research on murals in Inner Mongolia.Providing a wealth of information on understanding Tibetan Buddhism in Inner Mongolia.In this paper,I systematically sorted out the murals of �the reincarnation of the Buddha and Basangtseshin'on the first floor and the two walls of the Main Hall,and it extracts the unique artistic style and artistic elements of Tibetan Buddhism in Inner Mongolia.The study is divided into three chapters,through mural analysis and literature research,I explored the same subject murals and Tangka in Inner Mongolia.1)The paper introduces the storyline of the two sides of the Main Hall,and this is a valuable part in my paper.It is first time to photograph,translate and illustrate 31 parts of 108 Tibetan inscriptions on the east and west wall murals of the Main Hall.The details of the paintings of each murals are clearly identified.This work fills the gaps in the research on these murals.So in my paper,I analyze the characteristics of the Inner Mongolian people in the mural paintings,and researches the source of the story about the reincarnation of the Buddha and Basangtseshin.2)I discussed many qualities of printmaking,such as painting style,technical perspective.I described and analyzed the compositional features,painting techniques,and character representations about the reincarnation of the Buddha and Basangtseshin in the Main Hall,and also researched the decorative patterns of grassland culture in murals.It states theinheritance and evolution of painting themes in Inner Mongolia.3)Through the characteristics of the structure of the murals,the characteristics of the era of Natang prints are revealed.Researched the route of the original version of Tangka in Kundulun Lamasery and Baotou museum.In the discussion,starting with the arrangement of storylines and the property of pictures,I make a thoroughly inquiry for the explanations of the Main Hall's wall paintings and associated problems,to reveal the unique religious and social environment of the Inner Mongolia Region,and cultural exchanges between Mongolian,Tibetan,Han,Manchu and other ethnic groups.In this process,it highlights the unique artistic style of Tibetan Buddhism in Inner Mongolia through a comprehensive analysis of the murals in the Main Hall.