Research On Guangxi Contemporary Print Art

In the early 1930 s,a series of "creative" woodcut works that were completely different from traditional woodcarving prints emerged.Chinese prints ushered in a new beginning.The history of this printmaking revival movement is called the "new woodcut" movement.As a cultural center during the Anti-Japanese War before the founding of the People's Republic of China,Guangxi promoted the development of the emerging printmaking movement through a series of activities,and expanded the influence of the emerging prints.Its anti-war woodcuts occupied an important position in the history of modern Chinese printmaking,and a number of The new face of the woodcut works,but also completed the first turn of the last century print style.After the founding of New China,from the early days of the founding of the People's Republic of China to the prints during the Cultural Revolution,the number of works in Guangxi,from the number of authors to the number of works,far exceeded the period of the War of Resistance,and once again completed the second turn of the print style.In the 1980 s,Guangxi printmaking artists tried to dispel the functional and political nature of the original prints with powerful linguistic features and personal subjective feelings.They began to pay attention to humanistic care,pursue contemporary humanistic spirit,and abstract form composition.The exploration of the language form characteristics of the print itself.The artist has made new efforts in the humanistic spirit.The natural,cosmic and religious situations are the starting point to reflect the artist's deep thinking on history,human beings and culture.The anti-war theme and political propaganda-oriented prints are gradually weakened.These changes constitute The new prints in Guangxi have once again turned.This thesis takes the Guangxi prints during the Anti-Japanese War as the starting point,sorts out the development of Guangxi contemporary prints,finds its development direction,and strives to present the creative state of Guangxi print art.Aiming at the research on the creative factors of Guangxi contemporary prints,this paper combines the regional creative factors with the contemporary prints of Guangxi,explores its unique regional national culture and spiritual connotation,and discusses the prints of different editions,and analyzes the technical factors of platemaking on Guangxi contemporary.The influence of the art of printmaking.Since the 1980 s,Guangxi prints have gradually formed their artistic features.Compared with the watermark woodcuts of Jiangsu and the wilderness,the contemporary prints in Guangxi are more colorfuland passionate.The two aspects of form and concept respectively explain the visual characteristics of Guangxi contemporary prints.As the backbone of the development of contemporary Chinese prints,the artists involved in this article have created a large number of prints showing the changes of Guangxi in different periods,which promoted the development of contemporary prints in Guangxi.At the same time,through combing the development trend and aesthetic orientation of Guangxi contemporary prints,it provides some ideas and suggestions for the future development of Guangxi prints.