Change And Invariability:Discuss The Cultural Criticism Of Fei Ming

Since the "May 4th" era,Fei Ming has been thinking about the innovation and transformation of Chinese culture.and has constantly adjusted its own ideas for its purpose.Compared with the previous studies,we pay attention to the transition and great change of Fei Ming's thought.This article uses the perspective of "cultural criticism" to understand the deep connotation of the "change"of Fei Ming.Fei Ming has been looking at politics and others from the perspective of cultural criticism.This is a "constant" from the "change"of Fei Ming.This paper holds that to think about the change of Fei Ming's thought,we should pay attention to its consistency,not only pay attention to a particular stage,but also grasp the comprehensive way to sort out the essence of the change.Therefore,focusing on the three key periods of Fei Ming's thought-before and after the May 4th Movement,Huang Mei period,Since the 1950's,we have examined the perspective of cultural criticism throughout Fei Ming's thought,as well as the question of Chinese cultural transformation and innovation.Through examining the life and creation of Fei Ming during the May 4th Movement,we realize the forming process of his early literary view.With the disappearance of the fighting consciousness of the "son of the May 4th Movement",Fei Ming seemed to hide in the ivory tower of literature,focusing on the interpretation of self-subjective consciousness.But this is not the case,Fei Ming's sense of boredom has been continued,the country society is not good,the people's sad soul,these have been in his article flash.The creation of "Dream" only through the fantasy of a utopian form,to vent the pain of the heart,from the side to express the suffering in the countryside.In terms of literary form,he returns to tradition and blends Chinese and western cultures.In China,the cultural consciousness finds the fit of the "nation".The people-oriented thought burst out gradually and embarked on the road of rebuilding the national spirit.In the period of Huang Mei's thought transition,Fei Ming broke through the limited thinking of literary group and transferred to a kind of "life practice".In the rural life,he sank into the folk,close to the peasants' life,and confronted the erosion of the western thought with the modern humanistic attitude.In the past ten years,the peasant's "living" action has influenced his literary thinking,and in the article,the realistic description of the living condition in reality has been made.After liberation,based on the transformation of personality characteristics and literary thinking,he paid great attention to the peasants' life,took the people-oriented thought as the leading factor,and reached a certain degree of consensus between the new quality and the new change and the new regime,which became the opportunity for him to be close to politics.His independent transformation of mind,he studying literary critical methods also require knowledge in the folk to achieve the unity of knowledge and practice.After 1950's,The reasons of cultural and subjective resulted in the disappearance of Fei Ming's creative talent.Fei Ming is close to the times,constantly adjusting his own creation,making efforts to popularize the people and so on.By exposing the shortcomings of intellectuals,he has achieved the goal of alerting and changing.In the connection between literary thinking and political language,he realized the gap between himself and the times,left the practice as the basis,and could not make works that were really popular with the common people.Then he took the theory to do the research actively,but fell into a dispute and the teacher's negation,his literature confidence gradually subsided,but Fei Ming's enthusiasm for the people and the thought of constructing modern Chinese culture has been continuous.