Comparative Study On Performance Styies Of Mongolian "Three Major" Female Dancers

This paper carries out a comparative study on Mongolian "three major" female dance performance styles.The first chapter gives an overview of the three representative works of Mongolian female dancers,including bowl dance,song in the heart to the party,joy and Mongolians,from the aspects of thematic ideas and dance vocabulary.The second chapter carries out a comparative study based on the works and dancers.The comparative analysis of the works includes the creation background,theme,structure,vocabulary,music,clothing and aesthetic characteristics.Comparative analysis of dancers includes: formation of dancers' individual performance style and comparative analysis of their performance style,aiming at defining the performance styles of three dancers,Siqintariha's "heavy" and "stability",Aodemule's "breath" and "rhyme",and Aodenggerile's "strength" and "degree".The third chapter combined the three solo dance works in the author's graduation report performance,through the practice experience of the above dancer performance style inheritance,put forward the three dancers performance style "succession" relationship and practical significance and value.The final conclusion is that the comparative study of the performance styles of the "three major" Mongolian female dancers is not only a review of the development of Mongolian female dance,but also a revelation and confirmation of the correct inheritance and development path of "knowing where the Mongolian dance comes from and where it goes in the Ming dynasty".