The Performance Interpretation Of Honetown-themed Mongolian Style Songs

China is a country made up of many ethnic groups.The national culture of letting a hundred flowers blossom is the treasure of the multiculturalism of the Chinese nation,and the rich and colorful national style has unique significance under the background of the multiculturalism of the Chinese nation.Mongolian culture is an indispensable part of Chinese culture,with its unique geographical location and long history and culture has given birth to a large number of excellent works of art.The Mongolian living environment,customs and artistic heritage have formed the unique style of their national songs.therefore,the development and promotion of Mongolian style songs is of great social significance to the development and dissemination of prairie music.The national style of Mongolian songs with hometown as the theme is mainly reflected in theperfect combination of tunes and lyrics,and the emotional expressions of singing works of various themes are also different.The research of this paper is based on the author's own study and practice,and selects two songs with the most representative hometown theme,"my hometown where the hometown is rooted" and "the place where the Hero gets on the Horse".This paper analyzes the melody,lyric image and work style of the songs,and discusses the performance characteristics of Mongolian songs with hometown theme combined with their own learning and practice.The research of this paper is mainly divided into the following four parts:The first chapter introduces the overview of Mongolian style songs on the theme of hometown by consulting the literature,as well as the subject matter classification of this theme.The second chapter introduces the characteristics of the works of nostalgia through the analysis of the tonality,structure,lyrics and style of the song "my hometown,which is rooted on the ground".The third chapter introduces the characteristics of praising the theme through the analysis of the tonality,the structure of the form,the lyrics and the style of the song "where the Heroes get on the Horse".The fourth chapter,combined with the author's study and the accumulation of stage practical experience,explains how vocal performers interpret the works of this theme in the process of stage practice through the use of vocal music technology.