The Evolution And Characteristics Of The Characters In Chinese Landscape Painting

The figure image of landscape painting is different from the simple figure painting must be in the technical part of the image on the form of detailed characterization and refers to a relatively independent and complete landscape painting figures as embellishment.It is the performance of a specific environment in the specific scene.The image of the painting is often the artist?spiritual sustenance and emotional display however,each dynasty has its own unique aesthetic spirit and connotation.Therefore,it is necessary to analyze the characters of landscape painting from different historical periods to illustrate its characteristics and changes in different periods.In this paper,through the description of the landscape painting of the image of the subject matter,the characteristics of the content and the change of characters to express the two aspects of landscape painting aesthetic thought refer to the characteristics of realistic aesthetic spirit and symbolism aesthetic spirit and the artistic value and effect.The main methods of this paper are based on the discussion,quotation,image analysis and the representative work of the famous landscape painters,According to ancient painting theory and using semiotics and image science as the theoretical basis of landscape painting "characters" the formation,development and transformation.The expression of "human" existence,beauty and a painter's spirit and subjective emotion to code the main picture showing depth,point function.This "small" character of their extraordinary value,they wear different clothes,put a different pose,walk in the mountains,trees and landscape scenery as one,prompting the screen to achieve the communication between human and nature,artistic value and aesthetic unity of life and object show.Therefore,the importance of "image" in landscape painting reflects the painter's pursuit of the realm and emotion of landscape.This form of characters,landscapes,feelings of each other against the background of the picture more abundant and perfect.