A Study On The Mainland-hk Film Co-production In The View Of Regional Culture

With the globalization of the culture and economics,the cultural interaction and co-operation between Hong Kong and the mainland has become increasingly frequent.Based on the win-win situation,the co-production industry system has a strong momentum of growth for the film co-production is an important form of cultural integration.This paper combs the historical process from the first cooperation between Hong Kong and the Mainland which are different geopolitical entities to the collective northward of the Hong Kong film industry.This phenomenon is a striking and spontaneous event of regional changes in the history of Chinese film.From the mainland filmmakers' exploration in the South in the technology and strategy of the film production which promote the transformation of the mainland film to the Hong Kong directors and scholars seeking the funds and possession of the film market in the North,this paper elaborates the interactive relationship of the cross-domain expression of the culture in these two places and focuses on the new landscape in the process of the cooperation of the film production between Hong Kong and the mainland which takes the cultural integration as the goal.Based on the perspective of cultural geography,this paper focuses on the subject of film science,and the subjects such as the geopolitical science,economics,sociology are considered as well.The research followed by the divergence of the geographical axis on the sequence of 'cross-domain','exotic' and 'globalization'discusses the Mainland-HK film co-production from the dimensions of geographical,time,space and culture.And the article structure refers to the framework of geopolitics.The first chapter expounds the changes in the cooperation patterns of Hong Kong and the mainland during three different periods of political environment and market economy from a diachronic perspective.The second chapter expounds the changes of the geo-culture of Hong Kong and the transformation of the cultural system in the process of the film co-production from the perspective of the relationship of the man and the environment.The third chapter expounds the regional cooperation between China and the third-world countries and discusses the 'Silk Road' which is constructed in a coordinated manner from the perspective of 'Big Strategy'.The forth chapter expounds the 'media landscape' and the spatial movement of the Mainland-HK film co-production under the goal of globalization of Chinese film in the perspective of international system and also makes a reflection of the response to the industry Linkage and technology driven of the film co-production.The conclusion section summarizes and expands the fulltext and gives constructive suggestions on the development of the Mainland-HK film co-production.The innovation of this paper lies in the breakage of the traditional dualism of Hong Kong and the Mainland based on the analysis of the regional culture landscape of the film co-production.In addition,the pater pays much attention to the `Gain Attribute' and the heterogeneous space of the film which are extendable and open,and takes care of the generation of new ecological landscape in a multi-dimensional perspective.