The Han Dynasty Dance Thought Research

The dance which is the system of rites and music,the embodiment of Confucian culture in the political system,the carrier of ritual education and ritual communication.It carries the mission of safeguarding the national rites and music system.In the han dynasty,with the development of economy and political enlightenment,the music and dance culture was fully developed under the influence of "relation between heaven and man".Theory of "relation between heaven and man" is internalized in the dance activity,which distinguishes the function of the dance,and divides the dance into entertainment gods and entertainment person.The music dance of entertainment gods is a kind of worship music that contains celestial induction--Yin and Yang,si shi,wu xing of thought.Entertainment is the moral heaven of "relation between heaven and man"--the music dance to the folk,and the educational function gradually strengthens.Thus,the music dance culture has gradually become an indispensable spiritual and cultural demand of all classes in the han dynasty.The aesthetic connotation also accords with the natural and moral days.Therefore,this paper will analyze the music dance system of the han dynasty from three angles,from the dimension of the style of the han dynasty,the enlightenment of the thought of music dance and the aesthetic connotation of the music dance,trying to clarify the ideological and theoretical support behind the dance,provide reference for construction and improving the art aesthetic system.The first part is the dimension of the han dynasty dance.The Times background and the classification of the han dynasty dance in this chapter,combined the gods' sky,the natural sky to the han dynasty Yin-Yang five elements philosophy,specific analysis under the philosophy thinking dance entertainment spirits and the performance of the heaven and earth(phenomenon).The second part is the secularization of the dance.The han dynasty dance,which has the idea of "interaction between heaven and man",has gradually enriched its performance in the enlightened political environment and ushered in a new situation of popular appreciation.Thepolitical teaching function of the dance has also gradually moved down.The third part is the aesthetic connotation of the dance,which is deeply influenced by Confucianism and Taoism,and its aesthetic characteristics are both natural and natural.The aesthetics of music dance in han dynasty gradually reached the unity of truth and goodness.In this paper,the philosophical thought is interspersed with the phenomenon of music dance,which provides new ideas for the study of the Chinese music dance.