Ruins:The Expression Between Destruction And Regeneration

The first part of the thesis describes how the ruins came into being,including the reasons for the appearance of objects,the generation mode of concepts and the further evolution of meaning,as well as how the ruins appeared in literary expression as an image and were used to express emotions.The second part of the paper describes "how we look at the ruins",that is,what kind of eyes we look at the existence of ruins.This part includes how to restore history through ruins,how to get emotional call after restoring history,and finally how to achieve the imagination of community.The third part of the paper introduces two objects,namely the Great Wall and the tower of Babel,and takes them as examples to describe "how we write about ruins".This part first dissects the literary,historical and artistic images of the Great Wall and the tower of Babel respectively,and then combines and compares them to try to explain their respective connotations in the context of modernization.The fourth part of the thesis describes how to rebuild the ruins.In this part,the paper first analyzes the reasons why ruins can become aesthetic objects,that is,the foundation of the rebuilt landscape;Then it analyzes how ruins are "produced" into landscapes.Finally,the paper describes how consumer society influences the shaping of ruins.The five parts of the thesis describe the nihilism connotation of ruins,including how ruins embody nihilism and prove the nihilism of everything,and how it is related to nihilism.Then,the paper discusses how the appearance of rock music corresponds to the spirit of ruins and the expression of nihilism.