Enlightenment Of Dunhuang Fresco "Western Pure Land Illustration" On The Creation Of Gongbi Painting

Enlightenment of dunhuang fresco "the pure land of the west" on the creation of gongbi paintingThe art of mogao grottoes in dunhuang is the representative of Chinese mural art in its heyday and has a high status and value in the world art history.Because of the influence of different times and the change of buddhist thought,the choice of mural theme and the overall layout of the cave in each period have their own characteristics.Placed in the grottoes,as if walking into the mysterious world away from the mundane world,all around by the magnificent,resplendence of the murals deeply admiration.The unification of the tang dynasty made the dunhuang frescoes develop unprecedentedly and a lot of excellent works appeared.The frescoes of "the pure land of the west" studied in this paper are the most numerous and artistally accomplished of the dunhuang classical paintings,and are the typical representatives of the pure land.It is one of the subjects of Chinese buddhist art,rich in content and diverse in form.The western pure land metamorphosis,the most representative grotto in the early tang dynasty,is the mural in mogao grottoes,dunhuang.In the current study,the main discussion is the relationship between nanbi’s "the pure land of the west" and "the concept of wuliangshou jing".This paper focuses on the artistic expression of the murals of the pure land of the west in the south wall of cave 220 in the early tang dynasty.In the early tang dynasty,the country was stable and prosperous.During the dunhuang period,the pure land of the west completely got rid of the influence of the buddhist art in the sui dynasty and entered a new stage of development.In the composition,the big picture is used to express the buddhist scene.The composition method of combining bird’s eye view and scatter perspective makes the picture extremely spacious and magnificent,and sets off a peaceful and magnificent scene in the pure land world.The online application is becoming more and more sophisticated and refined,and the writing style is smooth and flying,which gives full play to the philosophy of "writing god in shape and having both body and spirit" pursued by the wei and jin dynasties.In the tang dynasty,the frescoes in the pure land of the west emphasized the color of the object itself and the decorative beauty of color on the basis of inheriting the traditional coloring rules.In the face of complex colors,the artist carefully arranged and used contrast,foil and smudging techniques of expression.The colors add radiance and complement each other.It has strong subjective color,dunhuang artists according to different conditions and the needs of the picture with a keen sense of color intuition for free and bold creation,showing the stunning aesthetic effect,for our future in the creation and innovation has a very important reference and guiding significance.The most important reason why the artistic charm of dunhuang fresco "the pure land of the west" is strong and enduring is that it has distinct national style.The national style is formed gradually in the long history development.It changes with the changes of The Times and has different characteristics in different times.It is molded by the national consciousness,national aesthetic taste and aesthetic ideal through the methods of national painting creation,artistic language and expression techniques.It has the beauty peculiar to national art.The western pure land transformation has extremely high artistic value and the esthetic value,it has the important status in the dunhuang art history,is worth us to study and study.