| Green landscape painting is an important part of Chinese landscape painting that cannot be ignored.Its development and prosperity period was mainly in the Tang Dynasty.It is famous for its gorgeous and bright picture effect and the painting style of atmosphere and precision.However,most of the famous recorded green landscape works of the Tang Dynasty have not been preserved,and the existing scroll green landscape works are difficult to connect with the early landscape paintings in terms of period and style.For a long time,the analysis of the style origins of Chinese green landscape paintings has caused some difficulties in image research and documentary records corresponding to each other.At this time,the images of green landscape paintings in temples and cave murals can fill this gap to a certain extent,among which a large number of Tang Dynasty mural paintings are preserved and the Dunhuang Mogao Grottoes murals can present a relatively complete evolution process of green landscape murals provide a large number of valuable image data for this study.This paper will study the color composition of the green landscape paintings in the murals of the Tang Dynasty in the Mogao Grottoes,deduce the color composition and color contrast relationship of the murals through the components of the pigments used in the murals,and discuss the role of the use of color in all aspects of the picture.Taking the mural paintings in Cave 217 of Mogao Grottoes of Dunhuang as an example,this paper compares and analyzes its color composition with the green landscape murals of Dunhuang in the same period and the painting style of the green landscape in Tang Dynasty scroll in terms of color and picture composition,and discusses the connection and difference between them.Through this study,the law of color use in the green landscape in Tang Dynasty can be understood.And used to guide practice to restore the creation of the Tang Dynasty green landscape color composition. |
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