The Method Is New And Bold

Chinese painting is an important part of Chinese culture.Chinese philosophers believe that the truth of the universe is consistent with the truth of every thing.Therefore,when the Chinese painting expounds the painting theory,it also expounds the philosophy,and then reflects the understanding of traditional philosophical thoughts through the external painting form of pen and ink.From the perspective of Chinese philosophy,"theory" is the essential feature that one thing is different from another.The "theory" in Chinese painting can also be interpreted as painting theory,psychology,and reason.It refers to the special laws of movement,change,and development of various kinds of things.Painting theory refers to the principles and principles of painting.Painting theory finally expresses the inner nature of things,God,reason,gas,and rhyme through painting.Psychology is the psychological response of people to art,which is the basis for verifying the artistic effect;Reason is the expression of personal feeling of the author's entrusted material.The subjective and objective are integrated,the object is unified with the Lord,and the aesthetic ideal of "unity between heaven and man" is realized.Chinese painting has its own unique laws.The summary of this law of painting is painting theory.In Chinese paintings,the emphasis is on "Yin and Yang","white and black","sparse horses,dense wind",and ink focus on "five colors of ink","painting with books",and the modeling emphasizes "writing with gods" and "vivid charm".In his creation,he focused on "external teacher creation,the source of the heart" and "relocation".According to these theories,the painting practice can obtain the necessary means of expression.This means the painting method."Theory" can also be understood as a trail and a separation of roads,while "Tao" is common sense."Theory" and "Tao" are inextricably linked.They are born because of Tao,and Tao is revealed because of theory.The core of Chinese philosophy is embodied in the relationship between Yin and Yang.The cold,warm,realistic,dense,dense,wet and dark colors in the painting theory are not the big "theories" that reflect the "Tao" through the painting theory.In Pan Tianshou's works,"moving to seek peace","a group of vitality" and "beauty of composition" reflect the role played by the "theory" that "gives new ideas in the law,sends wonderful theories outside the bold"."The role played by the Chinese painter's temperament is bold and does not exceed the rules." Only the height of "rationality" in painting means that the work is mature.Pan Tianshou's management of painting and ink all reflects the understanding and application of "theory".Therefore,it is of practical significance to explore the "theory" embodied in Pan Tianshou's paintings for the creation and study of the inheritance and development of Chinese paintings.