On Wang Xiaoying's Exploration Of Chinese Stage Image

Wang Xiaoying is a leader of drama directors inChina.In recent years,his exploration of Chinese stage images has attracted people's attention.Throughout Wang Xiaoying's exploration,from the 1980 s to the 1990 s,his exploration were bold and innovative,but the style was still unclear;from the 1990 s to the beginning of the 21 st century,his own concept of drama was pursued.At the beginning of the 21 st century,Wang Xiaoying integrated poetic images into China's field,made it more clearly and explicitly.The Modern expression of Chinese stage imagery,which clarifies the aesthetic positioning of his dramatic exploration.Wang Xiaoying is a theoretically director.His process of exploring the Chinese stage image and the precise process of aesthetic positioning are the products of his guiding the thinking of the director in the international perspective.He fully integrates Chinese and Western,and extensively absorbs the theory of imagery,the theory of hypothesis,and the drama.Therefore,Wang Xiaoying's Chinese stage image is first constructed on the basis of its theoretical consciousness.It expresses modern emotional philosophies through a series of combinations of elements of Chinese meteorology and modern art.Wang Xiaoying's exploration of the Chinese stage form that is compatible with performance and performance has brought a new direction of discussion on how to construct the national drama language.This thesis studies the practical exploration of Wang Xiaoying's Chinese stage imagery,the characteristics of Chinese stage imagery,and the specific application of Chinese stage imagery,in order to have a clearer and overall understanding of his Chinese stage imagery.