The "Form" And "Meaning" Of Props In Folk Dance Creation

The development and formation of dance props is based on the gradual evolution of historical culture and regional characteristics,that is,different natural environment,cultural characteristics and regional features will form a unique dance culture.In yunnan,a place where ethnic minorities gather,various ethnic dance cultures have also formed rich dance props.National dance works of creation itself has its particular dance culture connotation and distinctive national style,the use of props dance is an important means,in the creative process,therefore,from the perspective of yunnan minority dance creation,master its national culture,national style of vocabulary,on the basis of ingenious use of props to work in the creative characters and the theme of service is more and more choice,choreographer innovation and breakthrough on the use of props is also many creators of exploration.Props can be regarded as a kind of symbolic language.In dance body linguistics by zhang suqin and liu jian,it is believed that signs have the functions of "signifier" and "signified",which are converted to the functions of props in dance creation.In the creation of folk dance,how to endow inanimate props with national attributes and extended artistic emotions so as to generate emotions with the characters in the work? In the process of creation and practice,it is worth thinking about and solving the problem that it produces dynamics in the movement of people and things,strengthens the theme and service image,and sublimates from "expressing" to "expressing".In this paper,combined with their own graduation creation small WuDaoShi design process of new dai li,from the perspective of folk dance creation,categorizing props to clear the inner and outer function,in the "table" stages of props joint national style,mining props in the dynamic relationship between people and things and the space of the body contact,let items conform to the national dance vocabulary;Let the props set off the image and theme of the dance in the "ideographic" stage.Explore the relationship between the two in the creative process,so that the former provides the latter with the function and image basis,the latter sublimates and implies the former.