Another Aspect Of Modernity:Research On Christian Culture In Korean Film

Korean movies are a strong creative force in the Asian film industry.Korean films are highly acclaimed by the Hollywood-style ingenious narratives,and they are highly self-discovering and questioning the history of the nation's suffering.The Chinese audience is amazed.The rise of Korean movies is a phenomenal phenomenon in the history of world cinema,and Christianity as an important carrier of contemporary Korean narrative construction and the spiritual orientation of Koreans has great reference value for us to understand Korean history and nationality.This paper starts with the Christian cultural symbols in Korean movies,analyzes the narrative stance of modernity construction of Christian participation in Korea in the film creation,the embodiment of the Korean people's theological concepts in the film,and the practical significance of the Christian symbol image in Korean movies.Referential.This article is divided into six chapters to discuss the Christian cultural symbols in Korean movies.In the introduction,I will take the role of Christian reform in the generation of world modernity,the importance of Christianity in the study of subjectivity and contemporary academic systems.Starting from the status,it elaborates on the value of the Christian Cultural Symbols Institute in Korean movies.The rhetorical concept of historicism is the starting point for us to start the study of humanities and social sciences.Therefore,in the first chapter,I will mainly discuss the historical origin of Korean religious orientation,sort out the growth of Christianity inKorea,and generate elements of Christian symbols in Korean movies.Localization adaptation and type differentiation are summarized.The second chapter is about the main part of the construction of Christian modernity in Korean movies.Firstly,it analyzes the image of Christian symbols in early Korean movies from the roles of"Savior" and "Modernization".Secondly,it focuses on the "invasion of Korean movies in the 1970 s and 1980 s." "The collision between Christianity and Korean native culture and the contradictory complex national psychological transformation behind it.The third chapter studies the formation of popular theology in Korean movies and the construction of Christian reflexive modernity in the perspective of the "subjective reflection" of modernity.The fourth chapter elaborates on the characteristics of popular theology in the movie,and sums up the game between the "hate" mentality and the Christian theology from the individual,the society to the whole Korean nation.The fifth chapter examines the modernity crisis faced by Christian symbols in Korean movies,and summarizes the full text in the conclusion.