Entering The Ancient And Innovating,Dream Realm-the Landscape Painting Art Of Yao Ming-jing

Under the background of "globalization",Chinese traditional culture,including Chinese painting art,is influenced by western modem and postmodernism,and faces unprecedented opportunities and challenges.How to get out of the new road of contemporary development of Chinese painting on the basis of tradition has become the goal of many artists.In the 1990s,Yao Mingjing rose from the painting world.His landscape painting has a traditional shadow,but it is different from the reclusive landscape of the traditional literati.It is endowed with the spirit of the current era.,but it is different from the contemporary realistic landscape and experimental ink.He applied the rules of western design to traditional painting.On the basis of the existing research results,this paper makes a systematic and deep study on Yao Mingjing's landscape painting art.This paper analyzes the specific origin,painting thought and artistic characteristics of his landscape painting.This paper studies Yao Mingjing's landscape painting art from four parts.The first part is "the aesthetic characteristics of Yao Mingjing's dream landscape".First of all,he expounds the general situation of Yao Mingjing's life as a whole,and understands the origin of his teachers and laws through his life track.This paper refers to the influence of Lu Chen's teaching idea of ink composition and Yao Mingjing's personal experience of study and creation.This paper probes into the artistic conception and artistic style of Dream Landscape.The second part,"the ideological origin of Yao Mingjing's dream landscape",discusses the influence on Yao Mingjing's landscape painting art from the painting thoughts of Dong Qichang,Shi Tao,Li Keran and other painters.Yao Mingjing's artistic characteristics of dream landscape are analyzed from the point of view of spiritual connotation,schema characteristics and pen and ink training.The effect of Yao Ming-jing's dream landscape on my creation,first from the thought of the traditional pen-ink language,the second to the "dream landscape" pattern to my inspiration,and finally to the experience of the personal graduation creation.The course and method of Yao Ming-jing's study of painting provide me with a good reference,both the inheritance and the self-interest.