Analysis On The National Spirit And Playing Techniques Of The Piano Adaptation Of "Three Stanzas Of Plum Blossoms"

"Three Lanes of Plum Blossoms" is a piano work adapted by Mr.Wang Jianzhong(1933——2016)from Guqin music in 1972,in that special era background,the tense and harsh political situation faced with the strict requirements of "three modernizations" in cultural and artistic creation,and the creation of piano music was greatly restricted.Mr.Wang Jianzhong combined the meaning of Mao Zedong's Popular Operator Yongmei,followed the social and cultural trend of thought,inherited the structure and melody of the original tune,at the same time,integrated the Chinese national elements with modern western creative techniques,vividly displayed the artistic characteristics and national charm of Chinese ancient tunes on the piano of Western musical instruments,and endowed it with a deeper Chinese spirit and spirit.The connotation of rhyme is a model work in Chinese piano adaptation.This paper takes the piano song "Plum Blossom Three Lanes" as the research object,and from the two directions of national charm and performance skills,analyses the historical evolution process of the Guqin song "Plum Blossom Three Lanes" and the national implication contained in the music,and then interprets the rich three-dimensional image characteristics of Plum Blossom by means of "synaesthesia",as well as the aesthetic charm and artistic conception contained in the music.Finally,from the four aspects of overall performance thinking,key touching method,division of voice level and pedal technique,the author makes a detailed study on the structure layout,timbre imitation,emotional expression and sound effect of the music,and provides personal opinions for the final presentation of the music.