Typical Schemata Of Jiuge Tu In Song And Yuan Dynasties And Their Sources

The painting Jiuge Tu originated in the northern song dynasty,and formed a set of relatively stable schematic system in the Song and Yuan dynasties,which has definite characteristics.Since this complete set of painting of Nine songs was created by Li Gonglin,the discussion on it has always existed.This paper continues with the previous studies.First of all,it sorts out the surviving Jiuge Tu,which have been identified by modern and contemporary scholars as the pictures belonging to the Song and Yuan dynasties,with a total of 16 copies,and sorts out the opinions of different schools for reference.Secondly,from the perspective of academic history,the author classifies and sorts out the writings,discussions and studies on Jiuge Tu by scholars from the northern song dynasty to the contemporary period.On the basis of the above data,the main part of the paper first explores the origin and origin of schema theory,and then defines the schema of Jiuge Tu in Song and Yuan dynasties with the consistent definition of schema from philosophy to psychology to art theory research and the narrative mode of traditional Chinese art history.Then extract the "immortal travel schema","Hebo schema","double Xiang schema","Dongjun schema","mountain ghost schema" and other typical schema,the image and cultural two levels of tracing.Finally,the source of the image of Jiuge Tu in Song and Yuan dynasties was traced back to the paintings of Han dynasty through the works of Tang and Five dynasties period.It also analyzes some cultural origins of the corresponding schematic features in the Song and Yuan dynasties,such as the literati class' s pursuit of restoring the Confucian ritual and the inheritance and innovation of the Confucian aesthetic tradition in the Song dynasty.In fact,it is precisely because of the extensive participation of the literati class in the creation,appreciation and dissemination of Jiuge Tu in the Song and Yuan dynasties,that its schemata can imitate the ancient traditions and thus have the appearance and implication presented by the present.