A Simple Analysis On The Spatial Expression Of Chinese Figure Painting Scrolls

The differences in artistic concepts between the East and the West have led to differences in the composition of each other’s paintings.As a unique form of painting,the Chinese character painting long scroll is more free in space,and the artistic expression is more thick,which can produce an empty and far-reaching spatial image.The method of virtual and white treatment and the spatial expression of liquidity have influenced my understanding and expression of space in personal painting.This article will analyze the spatial performance of Chen Hongshou,s works,explore the characteristics and value of the long-volume space expression of Chinese figure paintings,and summarize its enlightenment on the current Chinese figure painting creation.First of all,the Chinese figure paintings have significant distinctiveness in spatial performance compared with Western character paintings and other Chinese characters.First,the application of scatter perspective makes the richness of the composition of the picture,the thickness of the plot,and the freedom of artistic expression are stronger than those of other shapes and media.Second,the creation and viewing of the Chinese characters’ long scrolls It presents a unique sense of mobility and rhythm.Third,the imagery of thinking and styling makes the relationship between people and people in the long scrolls of Chinese figure paintings extremely tense and poetic;fourth,the method of staying white as Chinese painting The unique spatial expression method frequently appears in the long scrolls of Chinese figure paintings,reflecting the spatial concept of Chinese paintings.Secondly,the Chinese painting character long scroll space can be classified as follows.1.Physical space,plane space,narrative space,psychological space,and extended space.The space of Chen Hongshou’s long scroll works has relative elements.Taking Chen Hongsong,s long scroll works as an example,the composition is simple and ancient,the layout is dense and dense,the movement is static and the plot is rich and vivid;the real and false black and white,dense and dense rhythm processing,combined with ink block color block,rubbing and dyeing,using the technique of line pen ink To make the plane space of the picture more rhythmic and rhythmic.In the setting and performance of the characters in the picture,Chen Hongyu conveyed the emotional master’s expression through the picture,and conveyed the main body’s feelings to the viewer,enriching the psychological space of the picture,thus arousing the viewer’s aesthetic feeling..At the same time,the superb skills of these spatial expressions have greatly enriched the extension space of the picture,which has enabled the viewer to produce endless associations,as if there is a vast world outside the painting.This is not fully realized by the Chinese figure paintings of Western figures and ordinary Chinese eharacters.By analyzing Chen Hongshou’s works,we can get new enlightenment.In the current creation,we need to learn from others and innovate.In the layout of the picture layout,we must try more,break the expression of the single picture space,break through the limitations of the time and space of the picture,and pursue the harmonious unity of the natural space and the spiritual space.