Research On The Bottom “Non-fiction” Narration

Since 1990 s,the bottom narration has been undergoing up and down,always in the intense debates of the contemporary trend of thoughts and the great judgement in the difference between different literary standards,which made bottom narration beyond the scope of pure literary trend of thoughts.Since the “Non-fiction” section was launched by People's Literature magazine in 2010,it has been widely concerned and discussed in academic circles.If the “non-fiction” narration is considered as literary narration in the scope of bottom literature,actually its subject of narration and the process object in specific angle of view have been beyond literary narration.For example,some authors of “non-fiction” are not the authors in the usual sense and they do not seek authorship,meanwhile what they are facing is not only the rural China in the literary vision or the bottom of society,but also the perspective of sociology or what we usually called "three rural" issues.In this paper,the methods are limited and the research objects are reduced.Methodologically,two key problems in the bottom narration are tried to be solved from the angle of narratology.Firstly,whether the bottom people can be truly represented,that is,to what extent the narrative subject can provide the bottom experience.Secondly,whether the “non-fiction” writing can represent the bottom people or not.As far as objects are concerned,the bottom narrative works in non-fiction writing with great influence should be included as far as possible.The thesis is divided into three parts including introduction,text and conclusion.In the introduction,the research status and problems about this topic at home and abroad are sorted out integrally,and its research significance and framework are summarized.The main body consists of five chapters.The first chapter roughly sorts out the bottom narration,analyzing its internal dilemma of decline after the middle of the first decade of the new century,and thus leading to the new changes brought to the bottom narration by the entry of "non-fiction" narration into the bottom.The second chapterdiscusses the identity of narrative subjects and their spiritual subjectivity.The narrative subjects of the bottom "non-fiction" narration roughly includes two categories: one is the intellectuals who care about the bottom people,and the other is the migrant writers.They are narrative subjects with both experience and feelings.Their personal experience at the scene makes them possess abundant first-hand materials.The equal attitude of respecting the object makes the narrative subject and the narrative object present an equal state.The third chapter discusses the narrative content of the bottom "non-fiction" narration,which mainly includes two aspects the presentation of the countryside and the description of the workers' work and life.The fourth chapter discusses the narrative strategy of the bottom "non-fiction" narration,and divides the bottom "non-fiction" narration into four narrative types which are the "returning home" mode,the "field investigation" mode the "story telling" mode and the "original text presentation" mode.The "returning home" mode adopts the narrative strategy of the comparison between memory and reality,multi-voice restoration to reality,construction and contrast of "seeing and being seen";the narrative strategy of "field investigation" mode is mainly reflected in the following aspects as the recording of dialogues,the presentation of typical details,and the evaluation discourse in narration;the "story-telling" mode mainly adopts the narrative strategy combining the first-person narration,storytelling and counter-storytelling.The fifth chapter evaluates the bottom "non-fiction" narration and summarizes its value and limitations.The conclusion is a brief summary of the thesis on the basis of the main body,and points out the potential academic research prospects of some contents in the thesis.