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Research On The Bottom Narrative Strategy Of Realistic Movies

Posted on:2019-05-06Degree:MasterType:Thesis
Country:ChinaCandidate:Z L LiFull Text:PDF
GTID:2435330548472589Subject:Arts
Abstract/Summary:PDF Full Text Request
Realistic film as an important part of Chinese film.Since the new century,the content and form have shown new characteristics,especially the film with the underlying narrative as the strategy of reality,become an important means of expression of film narrative.This paper tries to sort out the realistic movies in mainland China since the new century from the angle of bottom narration,combined with the author's screenplay The end of the yea,sums up the strategic performance of the underlying narrative of Chinese realistic movies,points out the significance and shortcomings of the underlying narrative of movies,and arouses people's concern for the underlying society and the underlying characters.This article is divided into six parts.The first part mainly defines the concepts of " realistic subject" and " bottom narrative",and points out the development of realistic subject film and bottom narrative,and then reveals the reason of bottom narrative of realistic subject film.The second part is the analysis of the story strategy of the bottom narrative of the realistic film.Firstly,it points out that realistic novels,news events and social hot spots are the source of the bottom story.Secondly,the theme shows the characteristics of struggle and hesitation of fate,revelation and reflection of human nature,loss of emotion and diversification of seeking.Again,the characters mainly to migrant workers,laid-off workers,gray practitioners of identity.The third part mainly expounds the bottom narrative mode of realistic movies.In the narrative structure,mainly adopts the non-linear narrative structure and the single linear narrative structure;In the narrative perspective,the " first perspective" of authenticity and the " third perspective" of objectivity are mainly adopted;In narrative time and space,the flow of time authenticity and the metaphorical construction of space become the important characteristics of the construction of time and space in movies.The fourth part mainly analyzes the audio-visual language of the underlying narrative of realistic movies.In the visual elements of the lens presentation,mainly to long lens,shaking lens,close-up,edge composition is given priority to,showing the bottom character of reality and survival.In the sound presentation of auditory elements,the paper points out the important role of dialect dialogue,inner monologue,pop music and sound in the construction of the bottom world.The fifth part is the summary of the significance and shortcomings of the underlying narrative of realistic movies.The critical spirit of realism and the rebellious attitude to mainstream culture are the significance of the bottom narrative of realistic movies.The disjunction between image presentation and real life and the imbalance between commercial context and artistic exploration are the shortcomings of the underlying narrative of realistic movies.The sixth part is the analysis of my play The end of the yea.This paper analyzes and summarizes the narrative strategies fromthe creation origin,the choice of realistic theme,the presentation of the theme of fate,the setting of migrant workers' identity,the narrative mode,audio-visual language,the significance and deficiency of script creation,etc.
Keywords/Search Tags:Realisticfilm, Bottom story, Story strategy, Narrative patterns, Audiovisual language, The end of the year
PDF Full Text Request
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