Research On Narrative Strategies Of Traditional Handicraft Documentary Films

With the rapid development of society and the continuous improvement of social informationization,it inevitably has a certain impact on our traditional culture,which makes our traditional handicraft intangible cultural heritage face severe challenges.Because most of the traditional handicraft in China is hidden in the market,they often survive in the way of "family inheritance" and "teacher inheritance".Most of these traditional handicraft are handed down orally and through words and deeds to complete the inheritance and transfer of culture and technology.This way leads to an unpredictable loss of cultural skills.Therefore,to enable people to understand traditional handicraft culture and learn and protect,is the current problem to be solved.As a form of artistic expression,documentaries can record and express traditional handicraft in sound,picture and other ways,so as to make the audience feel the creative process of traditional handicraft more objectively and stereoscopically.This paper explores the existing creative methods of traditional handicraft non-relic documentaries,making the narrative expression of documentaries an important carrier for the exchange and inheritance of traditional handicraft culture.By using the methods of literature research,case analysis and practical innovation,this paper first summarizes the narrative of handicraft non-relic documentaries,then focuses on the narrative strategies of such documentaries,and finally combines theoretical research with graduation work creation.The whole article is divided into five parts: the introduction summarizes and explains the current research situation,research significance and research methods.The first chapter mainly summarizes the non-heritage documentaries and traditional handicraft non-heritage documentaries,elaborates the concept theme of non-heritage documentaries,the narrative value of traditional handicraft non-heritage documentaries and the narrative status quo;the second chapter mainly discusses the traditional handicraft non-heritage documentaries.The narrative strategies of non-legacy documentaries are discussed and studied separately from the strategies of telling craft stories,shaping craftsmen and recording craftsmanship activities.The third chapter narrates his graduation work "The Guardian of Mud",mainly from the determination of topics,narrative strategies,narrative value and shortcomings.The narrative summary of traditional handicraft non-relic documentaries and the prospects for future creation.