The Theory Of Tang Poetry In The Annotated Catalogue Of The Emperor's Four Treasures

The Annotated Catalogue of the Emperor's Four Treasures,as a bibliographic work for official education,selects,explores and comments on ancient Chinese literature,systematically sorts out the evolution of Chinese literature origin and summarizes the laws of the development of ancient Chinese literature.The criticism of tang dynasty literature in The Annotated Catalogue of the Emperor's Four Treasures is also unique and original in the history of qing dynasty literature,which can be regarded as an important basis for later scholars to study tang dynasty literature.Based on The Annotated Catalogue of the Emperor's Four Treasures general catalogue,this paper tries to find out the discussion on tang dynasty poetics in siku quanshu general catalogue,understand its origin and analyze its connotation.Then make a summary.Then find out his views on tang poetry,and then analyze siku guanchen's view of tang poetry.This paper is divided into three parts.The introduction mainly makes a preliminary arrangement of the existing achievements of tang poetry in The Annotated Catalogue of the Emperor's Four Treasures,and makes a preliminary arrangement and classification of the existing relevant literature.In the body part,the author firstly sorts out the collection of literati and other works of tang dynasty in the collection department of siku quanshu.On this basis,the author holds the main poets,such as li du,da li shi cai zi,han liu,xiao li du and so on.This paper analyzes his comments on poetry and tang poetry,and finally probes into his six poetic concepts: "Confucian style","pay attention to the middle tang dynasty","ya zheng wei zong","allow to hold the middle","mark the spirit" and "emphasize change".Finally,it analyzes the influence and acceptance of tang poetry in t The Annotated Catalogue of the Emperor's Four Treasures.Based on the analysis of the song,jin,yuan and Ming dynasties,siku guanchen holds that the influence of tang poetry in each dynasty and the acceptance of tang poetry in each dynasty.