Study On Three Arias In The Opera "Canal Ballad" From Music Metaphor And Singing Art

The Grand Canal is one of the great achievements of the working people in ancient China.As the first national opera of the National Grand Theatre,The Grand Canal is an opera that takes the Beijing-Hangzhou Canal as its story background and draws on the Western opera art form.As the original national opera of our country,it brings together the top creative team of China's operas and is in line with the music aesthetics of today's society in terms of creative ideas.And this opera is a combination of dramaticness and nationality.It took two years to create with the most rigorous creative attitude and the most avant-garde musical ideas.Therefore,the interpretation and interpretation of the accompaniment works in the opera“Canal Reed”in accompaniment,form and singing are of great significance to the creation of Chinese opera aria.In the opera“Canal Inn”,there are altogether three pieces of Aria works: “Canals and Moons”,“The Moonfalls in Three Stars”,and “Love Afterlife Coming from the World.” These three arias will perform a dramatic performance of Aria.It's very vivid.This article through the analysis of the dramatic functions of the three Aria arias in the opera“Canal Embarrassment”,using the theoretical knowledge of music metaphor,to explain the structure of the dissertation is divided into three chapters: The first chapter of the opera “The Grand Canal ” It mainly describes the opera's creative background,storyline,and musical features.It also introduces Mr.Yin Qing,the opera's author;and the musical metaphorical analysis of the three arias of the opera“The Canal Grand Canal”.Three operatic arias in the opera use the theoretical knowledge of music metaphorology to explain;in the third chapter,the aria interpretation of the opera Three Canales,which is the difference between the three arias The singer's style of singing was analyzed,and then through interpreting the interpretation of the singers by the songs,the author interprets the new interpretation of the opera's three arias in singing.