Nature,Beauty,Emotion

Today,with the integration of Chinese and western cultures,Chinese cultural pioneers and artists have integrated Chinese culture with western culture to explore new artistic languages.western painting and Chinese painting influence and promote each other and develop together.The poetic language of impressionism created a new word for Chinese oil painting,and Pissarro was the founder and important member of impressionism.He depicted the beauty of nature and love for life with his unique artistic language of painting.His sketching skills were accurate,and the tone was full of warm faith and self-confidence.His landscape and figure paintings are natural,simple and emotional.Which share common characteristics with traditional Chinese paintings.This paper analyzes and interprets the sketches of Pissarro by the contemporary artists of impressionism required the artist to have as much direct contact with the subject matter as possible.The painter must see with his own eyes—not out of thin air: memory or fiction—the subject matter must be seen as a whole,without any omission of detail;you can't re-create in the studio.On this basis,it tries to demonstrate the painting performance of “nature,beauty and emotion” from three aspects of observation of nature,aesthetic experience and emotional;expression in Chinese and western paintings.Drawing on the Chinese traditional culture and extending to the contemporary painting art research,this paper explores the origin of the fusion of humanistic and artistic spirit presented by Chinese and western painting art,and finally finds it sown painting art language.Although there are many academic works about Pissarro's painting studies at home and abroad,there are few articles from the perspective of “nature,beauty and emotion”.The artistic language of “beauty and emotion” proves that nature is the origin of eastern and western art.Compared with the domestic and foreign articles on Pissarro's painting,this paper puts forward a new viewpoint: the “meaning of lines” found in Pissarro's sketch is the interpretation of the artistic language of nature,beauty,and emotion,From this point of view,this paper expounds the movement method of the space of painting consciousness,seeks for the way of artistic creation,and practices the breakthrough point of the experiment of painting expressive form language.